Fil:The Battle of Cape St Vincent, 14 February 1797 RMG BHC0486.jpg

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Robert Cleveley: The Battle of Cape St Vincent, 14 February 1797  wikidata:Q50878181 reasonator:Q50878181
Konstnär/skapare
Robert Cleveley  (1747–1809)  wikidata:Q3434814
 
Alternativa namn
Richard Cleveley; R. Clevely
Beskrivning brittisk målare
Datum för födelse/död 25 december 1747 (gamla stilenRedigera detta på Wikidata 28 september 1809 Redigera detta på Wikidata
Födelseort/dödsort Deptford Dover
Auktoritetsdata
creator QS:P170,Q3434814
 Redigera detta på Wikidata
image of artwork listed in title parameter on this page
Titel
engelska:
The Battle of Cape St Vincent, 14 February 1797 Redigera detta på Wikidata
title QS:P1476,en:"The Battle of Cape St Vincent, 14 February 1797 Redigera detta på Wikidata"
label QS:Len,"The Battle of Cape St Vincent, 14 February 1797 Redigera detta på Wikidata"
Objekttyp målning
object_type QS:P31,Q3305213
Genre marinmåleri Redigera detta på Wikidata
Beskrivning
English: The Battle of Cape St Vincent, 14 February 1797

This painting is one of a pair with BHC0485, showing the Battle of St Vincent, 14 February 1797. It was exhibited at the Royal Academy in 1801. The pair clearly relate to a pair of watercolours exhibited at the RA in 1798 and now in a private collection.

The end of 1796 found the British forced to abandon the Mediterranean as Admiral Sir John Jervis's fleet was outnumbered in ships of the line by 38 to 13. Early in 1797, however, the French and Spanish fleets were separated without having followed up their advantage. On 1 February Admiral Don José de Cordova left Cartagena for Cadiz with 27 of the line. Jervis, whose fleet had been reduced to ten of the line, determined to intercept him but before that happened he was reinforced by Rear-Admiral William Parker with five of the line. In the event, the performance of the British ships more than made up for the disparity in numbers and four of the Spaniards, including two first-rates, were taken.

This painting shows the close of the action. In the right foreground in starboard-bow view, is the captured 'Salvador del Mundo', 112 guns, her mizzen mast and her main and fore-topmasts gone. Beyond and to the right of her is a British two-decker, starboard-quarter view, with a boat putting out from her stern. Beyond her, in starboard-quarter view, is the captured 'San Ysidro', 74 guns, with a British frigate, starboard-quarter view, in the extreme right background. Astern of the 'Salvador del Mundo', in the centre of the picture, are three ships locked together, port-quarter view; the left-hand ship is the captured 'San Josef', 112 guns, and to her right is the captured 'San Nicolas', 80 guns, while the right-hand ship is the British captain', 74 guns, under the command of Commodore Nelson who had taken both these Spanish vessels. In the left foreground and middle distance are several spars and sails floating in the sea, while across the background are the sterns of the rest of the fleet in pursuit.

The artist was the son of John Clevely the Elder and the twin brother of John Clevely the Younger. Both brothers became painters having worked in Deptford Royal Dockyard. He was appointed Draughtsman to Prince William Duke (later George IV) of Clarence, later William IV, and then became Marine Painter to George the Prince Regent. He specialized in battle scenes such as this and exhibited at the Royal Academy from 1780 to 1803. The Museum holds more than 30 of his drawings.

(Note: the Spanish 'San José', captured at Cape St Vincent, is generally if wrongly known in English as 'San Josef', the name under which she was taken into the Navy.)

The Battle of Cape St Vincent, 14 February 1797
Datum 1798
date QS:P571,+1798-00-00T00:00:00Z/9
Teknik/material oljakanvas Redigera detta på Wikidata
Mått Painting: 1067 x 1600 mm
institution QS:P195,Q7374509
Placering
Inventarienummer
BHC0486
Referenser
Källa/fotograf http://collections.rmg.co.uk/collections/objects/11978
Tillstånd
(Återanvändning av denna fil)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: 1936-50
id number: BHC0486
Collection
InfoField
Oil paintings

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Denna bild avbildar ett tvådimensionellt konstverk. Konstverket är självt i public domain av följande anledning:
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Detta verk är också upphovsrättsfritt i länder och områden där upphovsrätten förfaller 100 år eller färre efter upphovsmannens död.


Detta verk är i public domain i Förenta staterna eftersom det publicerats före den 1 januari 1929.

Reproduktioner av tvådimensionella verk får inte egen upphovsrätt i USA enligt domen i Bridgeman Art Library v. Corel Corp. Wikimedia Foundation anser att en annan tolkning av upphovsrätten skulle innebära ett angrepp på begreppet ”public domain”, varför också denna fotografiska avbildning bör anses vara i ”public domain”. Se Commons:When to use the PD-Art tag#Other countries. Märk att lokala lagar kan hindra användande av bilden. Se Commons:Reuse of PD-Art photographs.

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Datum/TidMiniatyrbildDimensionerAnvändareKommentar
nuvarande21 februari 2015 kl. 18.00Miniatyrbild för versionen från den 21 februari 2015 kl. 18.001 280 × 855 (720 kbyte)HohumBetter version, same source
15 juli 2005 kl. 12.57Miniatyrbild för versionen från den 15 juli 2005 kl. 12.57700 × 453 (60 kbyte)HispaBatalla del Cabo de San Vicente (1797) Autor: Robert Cleveley (1798) {{PD}}

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