N. Katherine Hayles

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N. Katherine Hayles

N. Katherine Hayles, född 16 december 1943 i Saint Louis, Missouri, är en amerikansk postmodernistisk litteraturvetare, professor vid Duke University.

Hayles har examina i både kemi och litteraturvetenskap. Utöver Duke University har hon undervisat vid UCLA, University of Iowa, University of Missouri–Rolla, Caltech och Dartmouth College.[1]

Bibliografi[redigera | redigera wikitext]

  • The Cosmic Web: Scientific Field Models and Literary Strategies in the Twentieth Century, (Ithaca: Cornell University Press, 1984. ISBN 9780801492907)
  • Chaos Bound: Orderly Disorder in Contemporary Literature and Science, (Ithaca: Cornell University Press, 1990. ISBN 9780801497018)
  • Chaos and Order: Complex Dynamics in Literature and Science. (red.), (Chicago: The University of Chicago Press, 1991. ISBN 9780226321448)
  • Technocriticism and Hypernarrative. A special issue of Modern Fiction Studies 43, no. 3, höst 1997 (gästredaktör)
  • How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics, (Chicago: The University of Chicago Press, 1999. ISBN 9780226321462) [2]
  • Writing Machines, (Cambridge: The MIT Press, 2002. ISBN 9780262582155)
  • Nanoculture: Implications of the New Technoscience (red.), 2004 [3]
  • My Mother Was a Computer: Digital Subjects and Literary Texts, (Chicago: The University of Chicago Press, 2005. ISBN 9780226321479) [4]
  • Electronic Literature: New Horizons for the Literary, (South Bend: University of Notre Dame Press, 2008. ISBN 9780268030858) [5]
  • How We Think: Digital Media and Contemporary Technogenesis, (Chicago: The University of Chicago Press, 2012. ISBN 9780226321424) [6]

Referenser[redigera | redigera wikitext]

  1. ^ N. Katherine Hayles, Literature, Duke University. The Doreen B. Townsend Center for Humanities. Läst 6 november 2011.
  2. ^ How We Became Posthuman, utdrag
  3. ^ Nanoculture
  4. ^ My Mother Was a Computer, utdrag
  5. ^ Electronic Literature: New Horizons for the Literary website
  6. ^ How We Think. The University of Chicago Press.