Lista över mest inkomstbringande filmer

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Det här är en lista över historiens mest inkomstbringande filmer. Listan inkluderar endast långfilmer som visas/visats på bio, och alla intäkter är i amerikanska dollar. Det finns även listor över mest inkomstbringande filmer justerade för inflation, efter år samt de tidslinjer som dessa har haft rekord i. Världens mest inkomstbringande film är Avatar (före Titanic; båda dessa filmer skapades av James Cameron) medan världens mest inkomstbringande animerade film är Disneys Frost, vilken även är den femte mest inkomstbringande filmen någonsin. Dessa är tre av endast 20 filmer i hela världen som dragit in över en miljard dollar. Avatar, Titanic och Frost är även de mest inkomstbringande originella filmerna någonsin. Hittills dominerar Jurassic World 2015 med över 1,6 miljarder dollar i intäkter och där med placerar sig som tredje mest inkomstbringande filmen i världen någonsin.

Notera att de olika siffrorna kommer från olika källor som är olika nya och kommer från olika sammanhang. Listorna ska därför inte ses som fakta utan endast ge en överblick.

  † Bakgrundsskuggning visar filmer som visas i biosalonger världen över just nu.

Mest inkomstbringande filmer[redigera | redigera wikitext]

Mest inkomstbringande filmer[1]
Rankning Bästa rankning Filmtitel Global inkomst År Referens(er)
1 1 Avatar $2,787,965,087 2009 [# 1][# 2]
2 1 Titanic $2,186,772,302 1997 [# 3][# 4]
3 3 Star Wars: The Force Awakens $1,751,243,529 2015 [# 5]
4 3 Jurassic World $1,668,984,926 2015 [# 6][# 7]
5 3 The Avengers $1,519,557,910 2012 [# 8][# 9]
6 4 Furious 7 $1,515,047,671 2015 [# 10][# 11]
7 5 Avengers: Age of Ultron $1,405,035,767 2015 [# 12][# 11]
8 3 Harry Potter and the Deathly Hallows – Part 2 $1,341,511,219 2011 [# 13][# 14]
9 5 Frost $1 279 852 693 2013 [# 15][# 16]
10 5 Iron Man 3 $1,215,439,994 2013 [# 17][# 18]
11 10 Minioner $1,157,275,017 2015 [# 19][# 7]
12 4 Transformers: Dark of the Moon $1,123,794,079 2011 [# 20][# 14]
13 2 The Lord of the Rings: The Return of the King $1,119,929,521 2003 [# 21][# 22]
14 7 Skyfall $1,108,561,013 2012 [# 23][# 24]
15 10 Transformers: Age of Extinction $1,104,054,072 2014 [# 25][# 26]
16 7 The Dark Knight Rises $1,084,939,099 2012 [# 27][# 28]
17 3 Pirates of the Caribbean: Dead Man's Chest $1,066,179,725 2006 [# 29][# 30]
18 5 Toy Story 3 $1,063,171,911 2010 [# 31][# 32]
19 6 Pirates of the Caribbean: On Stranger Tides $1,045,713,802 2011 [# 33][# 34]
20 1 Jurassic Park $1 029 939 903 1993 [# 35][# 36]
21 2 Star Wars Episode I: The Phantom Menace $1,027,044,677 1999 [# 37][# 4]
22 5 Alice i Underlandet $1,025,467,110 2010 [# 38][# 39]
23 14 The Hobbit: An Unexpected Journey $1,021,103,568 2012 [# 40][# 41]
24 4 The Dark Knight $1,004,558,444 2008 [# 42][# 43]
25 2 The Lion King $987,483,777 1994 [# 44][# 36]
26 2 Harry Potter och De vises sten $974,755,371 2001 [# 45][# 46]
27 20 Dumma mej 2 $970,761,885 2013 [# 47][# 48]
28 5 Pirates of the Caribbean: At World's End $963,420,425 2007 [# 49][# 50]
29 10 Harry Potter och dödsrelikerna – Del 1 $960,283,305 2010 [# 51][# 52]
30 24 Hobbit: Smaugs ödemark $958,366,855 2013 [# 53][# 54]
31 26 Hobbit: Femhäraslaget $956,019,788 2014 [# 55][# 56]
32 6 Harry Potter och Fenixorden $939,885,929 2007 [# 57][# 50]
33 9 Finding Nemo $936,743,261 2003 [# 58][# 22]
34 8 Harry Potter and the Half-Blood Prince $934,416,487 2009 [# 59][# 60]
35 5 The Lord of the Rings: The Two Towers $926,047,111 2002 [# 61][# 62]
36 6 Shrek 2 $919,838,758 2004 [# 63][# 64]
37 8 Harry Potter och den flammande bägaren $896,911,078 2005 [# 65][# 66]
38 10 Spider-Man 3 $890,871,626 2007 [# 67][# 68]
39 15 Ice Age 3: Det våras för dinosaurierna $886,686,817 2009 [# 69][# 60]
40 6 Harry Potter och Hemligheternas kammare $878,979,634 2002 [# 70][# 71]
41 29 Ice Age: Continental Drift $877,244,782 2012 [# 72][# 28]
42 42 Spectre $872,101,529 2015 [# 73]
43 5 The Lord of the Rings: The Fellowship of the Ring $871,530,324 2001 [# 74][# 75]
44 34 The Hunger Games: Catching Fire $865,011,746 2013 [# 76][# 77]
45 43 Insidan ut $856,130,132 2015 [# 78][# 7]
46 11 Star Wars Episode III: Revenge of the Sith $848,754,768 2005 [# 79][# 80]
47 19 Transformers: Revenge of the Fallen $836,303,693 2009 [# 81][# 82]
48 33 The Twilight Saga: Breaking Dawn - Part 2 $829,746,820 2012 [# 83][# 84]
49 24 Inception $825,532,764 2010 [# 85][# 32]
50 7 Spider-Man $821,708,551 2002 [# 86][# 75]

Mest inkomstbringande filmer justerat för inflation[redigera | redigera wikitext]

Mest inkomstbringande filmer justerat för inflation[2]
Ranking Filmtitel Global inkomst
(constant $)
År
1 Borta med vinden $3,301,400,000 1939
2 Avatar $2,782,300,000 2009
3 Stjärnornas krig $2,710,800,000 1977
4 Titanic $2,413,800,000T 1997
5 Sound of Music $2,269,800,000 1965
6 E.T. the Extra-Terrestrial $2,216,800,000 1982
7 De tio budorden $2,098,600,000 1956
8 Doktor Zjivago $1,988,600,000 1965
9 Hajen $1,945,100,000 1975
10 Snövit och de sju dvärgarna $1,746,100,000 1937

Mest inkomstbringande filmer efter år[redigera | redigera wikitext]

År Filmtitel Global inkomst Budget Ref(r)
1915 Nationens födelse &&&&&&&050000000.&&&&&050 000 000–&&&&&&0100000000.&&&&&0100 000 000
&&&&&&&020000000.&&&&&020 000 000+R (&&&&&&&&05200000.&&&&&05 200 000)R
&&&&&&&&&0110000.&&&&&0110 000 [# 87][# 88][# 89]
1916 Intolerance &&&&&&&&01000000.&&&&&01 000 000*R IN &&&&&&&&&0489653.&&&&&0489 653 [# 90][# 91]
1917 Cleopatra &&&&&&&&&0500000.&&&&&0500 000*R &&&&&&&&&0300000.&&&&&0300 000 [# 90]
1918 Mickey &&&&&&&&08000000.&&&&&08 000 000 &&&&&&&&&0250000.&&&&&0250 000 [# 92]
1919 The Miracle Man &&&&&&&&03000000.&&&&&03 000 000R &&&&&&&&&0120000.&&&&&0120 000 [# 93]
1920 Genom stormen &&&&&&&&05000000.&&&&&05 000 000R (&&&&&&&&04000000.&&&&&04 000 000)R &&&&&&&&&0800000.&&&&&0800 000 [# 94][# 95]
1921 De fyra ryttarna &&&&&&&&05000000.&&&&&05 000 000R (&&&&&&&&04000000.&&&&&04 000 000)R &&&&&&&&&0600000.&&&&&0600 000–&&&&&&&&&0800000.&&&&&0800 000 [# 96]
1922 Robin Hood &&&&&&&&02500000.&&&&&02 500 000R &&&&&&&&&0986000.&&&&&0986 000 [# 97]
1923 The Covered Wagon &&&&&&&&05000000.&&&&&05 000 000R &&&&&&&&&0800000.&&&&&0800 000 [# 98][# 99]
1924 The Sea Hawk &&&&&&&&03000000.&&&&&03 000 000R &&&&&&&&&0700000.&&&&&0700 000 [# 98]
1925 The Big Parade &&&&&&&018000000.&&&&&018 000 000–&&&&&&&022000000.&&&&&022 000 000R
(&&&&&&&&06131000.&&&&&06 131 000)R
&&&&&&&&&0382000.&&&&&0382 000 [# 100][# 101][# 102]
Ben-Hur &&&&&&&&09386000.&&&&&09 386 000R &&&&&&&&03967000.&&&&&03 967 000 [# 103]
1926 For Heaven's Sake &&&&&&&&02600000.&&&&&02 600 000R FH &&&&&&&&&0150000.&&&&&0150 000 [# 94][# 104]
1927 Vingarna &&&&&&&&03600000.&&&&&03 600 000R &&&&&&&&02000000.&&&&&02 000 000 [# 94][# 105][# 106]
1928 The Singing Fool &&&&&&&&05900000.&&&&&05 900 000R &&&&&&&&&0388000.&&&&&0388 000 [# 106][# 107]
1929 Broadways melodi &&&&&&&&04400000.&&&&&04 400 000–&&&&&&&&04800000.&&&&&04 800 000R &&&&&&&&&0379000.&&&&&0379 000 [# 108][# 109]
Sunny Side Up &&&&&&&&03500000.&&&&&03 500 000*R SS &&&&&&&&&0600000.&&&&&0600 000 [# 110][# 111]
1930 På västfronten intet nytt &&&&&&&&03000000.&&&&&03 000 000R &&&&&&&&01250000.&&&&&01 250 000 [# 94][# 112][# 113][# 114]
1931 Frankenstein &&&&&&&012000000.&&&&&012 000 000R (&&&&&&&&01400000.&&&&&01 400 000)R &&&&&&&&&0250000.&&&&&0250 000 [# 115][# 116]
Stadens ljus &&&&&&&&05000000.&&&&&05 000 000R &&&&&&&&01607351.&&&&&01 607 351 [# 117]
1932 The Sign of the Cross &&&&&&&&02738993.&&&&&02 738 993R &&&&&&&&&0694065.&&&&&0694 065 [# 99][# 118][# 119][# 120]
1933 King Kong &&&&&&&&05347000.&&&&&05 347 000R (&&&&&&&&01856000.&&&&&01 856 000)R 0Fel i uttryck: Okänt interpunktionstecken ",".Fel i uttryck: Okänt interpunktionstecken ","672 255,75 [# 121]
Jag är ingen ängel &&&&&&&&03250000.&&&&&03 250 000+R &&&&&&&&&0200000.&&&&&0200 000 [# 122][# 123]
Cavalcade &&&&&&&&03000000.&&&&&03 000 000–&&&&&&&&04000000.&&&&&04 000 000R &&&&&&&&01116000.&&&&&01 116 000 [# 95][# 113]
She Done Him Wrong &&&&&&&&03000000.&&&&&03 000 000+R &&&&&&&&&0274076.&&&&&0274 076 [# 124][# 125][# 126]
1934 Glada änkan &&&&&&&&02608000.&&&&&02 608 000R &&&&&&&&01605000.&&&&&01 605 000 [# 127][# 119]
Det hände en natt &&&&&&&&01000000.&&&&&01 000 000R ON &&&&&&&&&0325000.&&&&&0325 000 [# 128][# 129]
1935 Myteri &&&&&&&&04460000.&&&&&04 460 000R &&&&&&&&01905000.&&&&&01 905 000 [# 119]
1936 San Francisco &&&&&&&&06044000.&&&&&06 044 000+R (&&&&&&&&05273000.&&&&&05 273 000)R &&&&&&&&01300000.&&&&&01 300 000 [# 127][# 119]
1937 Snövit och de sju dvärgarna &&&&&&0416316184.&&&&&0416 316 184S7 (&&&&&&&&08500000.&&&&&08 500 000)R &&&&&&&&01488423.&&&&&01 488 423 [# 130][# 131]
1938 Komedien om oss människor &&&&&&&&05000000.&&&&&05 000 000R &&&&&&&&01200000.&&&&&01 200 000 [# 132][# 133]
1939 Borta med vinden &&&&&&0390525192.&&&&&0390 525 192–&&&&&&0400176459.&&&&&0400 176 459
(&&&&&&&032000000.&&&&&032 000 000)R GW
&&&&&&&&03900000.&&&&&03 900 000–&&&&&&&&04250000.&&&&&04 250 000 [# 134][# 135][# 136][# 137]
1940 Pinocchio &&&&&&&087000862.&&&&&087 000 862* (&&&&&&&&03500000.&&&&&03 500 000)R &&&&&&&&02600000.&&&&&02 600 000 [# 138][# 131][# 139]
Glädjestaden &&&&&&&&04600000.&&&&&04 600 000*R &&&&&&&&02100000.&&&&&02 100 000 [# 140][# 141]
1941 Sergeant York &&&&&&&&07800000.&&&&&07 800 000R &&&&&&&&01600000.&&&&&01 600 000 [# 142][# 143]
1942 Bambi &&&&&&0267997843.&&&&&0267 997 843 (&&&&&&&&03449353.&&&&&03 449 353)R &&&&&&&&01700000.&&&&&01 700 000–&&&&&&&&02000000.&&&&&02 000 000 [# 144][# 145][# 146]
Mrs. Miniver &&&&&&&&08878000.&&&&&08 878 000R &&&&&&&&01344000.&&&&&01 344 000 [# 147][# 148]
1943 Klockan klämtar för dig &&&&&&&011000000.&&&&&011 000 000R &&&&&&&&02681298.&&&&&02 681 298 [# 149][# 150][# 151]
Irving Berlins paradrevy &&&&&&&&09555586.4400009 555 586,44*R &&&&&&&&01400000.&&&&&01 400 000 [# 152][# 153][# 151]
1944 Vandra min väg &&&&&&&&06500000.&&&&&06 500 000*R &&&&&&&&01000000.&&&&&01 000 000 [# 154][# 155][# 156]
1945 Din kropp är din &&&&&&&080000000.&&&&&080 000 000MD/&&&&&&&022000000.&&&&&022 000 000R &&&&&&&&&&065000.&&&&&065 000 [# 157]
Klockorna i S:t Mary &&&&&&&011200000.&&&&&011 200 000R &&&&&&&&01600000.&&&&&01 600 000 [# 158]
1946 Sången om södern &&&&&&&065000000.&&&&&065 000 000* (&&&&&&&&03300000.&&&&&03 300 000)R &&&&&&&&02125000.&&&&&02 125 000 [# 159][# 160][# 161]
De bästa åren &&&&&&&014750000.&&&&&014 750 000R &&&&&&&&02100000.&&&&&02 100 000 [# 162][# 163]
Duell i solen &&&&&&&010000000.&&&&&010 000 000*R &&&&&&&&05255000.&&&&&05 255 000 [# 154][# 164]
1947 Alltid Amber &&&&&&&&08000000.&&&&&08 000 000R &&&&&&&&06375000.&&&&&06 375 000 [# 110][# 164]
De obesegrade &&&&&&&&07500000.&&&&&07 500 000R UN &&&&&&&&04200000.&&&&&04 200 000 [# 165][# 166]
1948 En dans med dej &&&&&&&&05918134.&&&&&05 918 134R &&&&&&&&02500000.&&&&&02 500 000 [# 156][# 167]
De röda skorna &&&&&&&&05000000.&&&&&05 000 000*R &0000000002000000000000&&&&&&&&&0505581.&&&&&0505 581 (&&&&&&&&02000000.&&&&&02 000 000) [# 154][# 168][# 169]
Ormgropen &&&&&&&&04100000.&&&&&04 100 000*R TBA [# 170]
1949 Simson och Delila &&&&&&&014209250.&&&&&014 209 250R &&&&&&&&03097563.&&&&&03 097 563 [# 171][# 99]
1950 Askungen &&&&&&&088000466.&&&&&088 000 466*
(&&&&&&&020000000.&&&&&020 000 000/&&&&&&&&07800000.&&&&&07 800 000R)
&&&&&&&&02200000.&&&&&02 200 000 [# 172][# 173][# 174]
Kung Salomos sk(r)att &&&&&&&010050000.&&&&&010 050 000R &&&&&&&&02258000.&&&&&02 258 000 [# 175]
1951 Quo Vadis &&&&&&&021037000.&&&&&021 037 000–&&&&&&&026700000.&&&&&026 700 000R &&&&&&&&07623000.&&&&&07 623 000 [# 171][# 176][# 177]
1952 This Is Cinerama &&&&&&&050000000.&&&&&050 000 000CI &&&&&&&&01000000.&&&&&01 000 000 [# 178][# 179]
Världens största show &&&&&&&018350000.&&&&&018 350 000R GS &&&&&&&&03873946.&&&&&03 873 946 [# 180][# 181][# 99]
1953 Peter Pan &&&&&&0145000000.&&&&&0145 000 000 &&&&&&&&03000000.&&&&&03 000 000–&&&&&&&&04000000.&&&&&04 000 000 [# 182]
Den purpurröda manteln &&&&&&&025000000.&&&&&025 000 000–&&&&&&&026100000.&&&&&026 100 000R &&&&&&&&04100000.&&&&&04 100 000 [# 183][# 184][# 177]
1954 Fönstret åt gården &&&&&&&036764580.&&&&&036 764 580* (&&&&&&&&05300000.&&&&&05 300 000)*R &&&&&&&&01000000.&&&&&01 000 000 [# 185][# 176]
White Christmas &&&&&&&026000050.&&&&&026 000 050* (&&&&&&&012000000.&&&&&012 000 000)*R &&&&&&&&03800000.&&&&&03 800 000 [# 186][# 187][# 188]
En världsomsegling under havet &&&&&&&025000134.&&&&&025 000 134*
(&&&&&&&&06800000.&&&&&06 800 000–&&&&&&&&08000000.&&&&&08 000 000)*R
&&&&&&&&04500000.&&&&&04 500 000–&&&&&&&&09000000.&&&&&09 000 000 [# 189][# 190][# 154][# 191]
1955 Lady och Lufsen &&&&&&&088300200.&&&&&088 300 200* (&&&&&&&&06500000.&&&&&06 500 000)*R &&&&&&&&04000000.&&&&&04 000 000 [# 192][# 154][# 193]
Cinerama Holiday &&&&&&&021000000.&&&&&021 000 000CI &&&&&&&&02000000.&&&&&02 000 000 [# 194][# 195]
Nattpermission &&&&&&&&09900000.&&&&&09 900 000R &&&&&&&&02400000.&&&&&02 400 000 [# 196]
1956 De tio budorden &&&&&&&090066230.&&&&&090 066 230R
(&&&&&&0122700000.&&&&&0122 700 000/&&&&&&&055200000.&&&&&055 200 000R)
&&&&&&&013270000.&&&&&013 270 000 [# 99][# 197][# 198]
1957 Bron över floden Kwai &&&&&&&030600000.&&&&&030 600 000R &&&&&&&&02840000.&&&&&02 840 000 [# 198]
1958 South Pacific &&&&&&&030000000.&&&&&030 000 000R &&&&&&&&05610000.&&&&&05 610 000 [# 199]
1959 Ben-Hur &&&&&&&090000000.&&&&&090 000 000R
(&&&&&&0146900000.&&&&&0146 900 000/&&&&&&&066100000.&&&&&066 100 000R)
&&&&&&&015900000.&&&&&015 900 000 [# 200][# 201]
1960 Skeppsbrott i Söderhavet &&&&&&&030000000.&&&&&030 000 000R &&&&&&&&04000000.&&&&&04 000 000 [# 202]
Spartacus &&&&&&&060000000.&&&&&060 000 000 (&&&&&&&022105225.&&&&&022 105 225)R &&&&&&&010284014.&&&&&010 284 014 [# 203][# 204]
Psycho &&&&&&&050000000.&&&&&050 000 000+ (&&&&&&&014000000.&&&&&014 000 000)R &&&&&&&&&0800000.&&&&&0800 000 [# 205]
1961 Pongo och de 101 dalmatinerna &&&&&&0215880212.&&&&&0215 880 212 &&&&&&&&03600000.&&&&&03 600 000–&&&&&&&&04000000.&&&&&04 000 000 [# 206][# 207][# 146]
West Side Story &&&&&&0105000000.&&&&&0105 000 000 (&&&&&&&031800000.&&&&&031 800 000)R &&&&&&&&07000000.&&&&&07 000 000 [# 208][# 209]
1962 Lawrence av Arabien &&&&&&&075500852.&&&&&075 500 852 (&&&&&&&069995385.&&&&&069 995 385) &&&&&&&013800000.&&&&&013 800 000 [# 210][# 211]
Så vanns vilda västern &&&&&&&035000000.&&&&&035 000 000R &&&&&&&014483000.&&&&&014 483 000 [# 212]
Den längsta dagen &&&&&&&033200000.&&&&&033 200 000R &&&&&&&&08600000.&&&&&08 600 000 [# 209][# 211]
1963 Cleopatra &&&&&&&040300000.&&&&&040 300 000R &&&&&&&031115000.&&&&&031 115 000 [# 209][# 211]
Agent 007 ser rött &&&&&&&078900000.&&&&&078 900 000/&&&&&&&029400000.&&&&&029 400 000R
(&&&&&&&012500000.&&&&&012 500 000)R
&&&&&&&&02000000.&&&&&02 000 000 [# 213][# 214][# 215]
1964 My Fair Lady &&&&&&&055000000.&&&&&055 000 000R &&&&&&&017000000.&&&&&017 000 000 [# 216]
Goldfinger &&&&&&0124900000.&&&&&0124 900 000 (&&&&&&&046000000.&&&&&046 000 000)R &&&&&&&&03000000.&&&&&03 000 000 [# 213][# 215]
Mary Poppins &&&&&&&044000000.&&&&&044 000 000–&&&&&&&050000000.&&&&&050 000 000R &&&&&&&&05200000.&&&&&05 200 000 [# 217][# 216]
1965 Sound of Music &&&&&&0286214076.&&&&&0286 214 076 (&&&&&&0114600000.&&&&&0114 600 000)R &&&&&&&&08000000.&&&&&08 000 000 [# 218][# 209]
1966 Bibeln... i begynnelsen &&&&&&&025300000.&&&&&025 300 000R &&&&&&&018000000.&&&&&018 000 000 [# 204]
Hawaii &&&&&&&034562222.&&&&&034 562 222* (&&&&&&&015600000.&&&&&015 600 000)*R &&&&&&&015000000.&&&&&015 000 000 [# 219][# 154]
Who's Afraid of Virginia Woolf? &&&&&&&028000089.&&&&&028 000 089* (&&&&&&&014500000.&&&&&014 500 000)*R &&&&&&&&07613000.&&&&&07 613 000 [# 220][# 154][# 221]
1967 Djungelboken &&&&&&0170800000.&&&&&0170 800 000–&&&&&&0199475744.&&&&&0199 475 744 &&&&&&&&03900000.&&&&&03 900 000–&&&&&&&&04000000.&&&&&04 000 000 [# 222][# 223][# 146]
Mandomsprovet &&&&&&&085000000.&&&&&085 000 000R &&&&&&&&03100000.&&&&&03 100 000 [# 224][# 225]
1968 2001 – Ett rymdäventyr &&&&&&0138000000.&&&&&0138 000 000–&&&&&&0190000000.&&&&&0190 000 000
(&&&&&&&021900000.&&&&&021 900 000)R
&&&&&&&010300000.&&&&&010 300 000 [# 226][# 227][# 209]
Funny Girl &&&&&&&080000000.&&&&&080 000 000–&&&&&&0100000000.&&&&&0100 000 000 &&&&&&&&08800000.&&&&&08 800 000 [# 228][# 229]
1969 Butch Cassidy och Sundance Kid &&&&&&&096000000.&&&&&096 000 000R (&&&&&&&037100000.&&&&&037 100 000)R &&&&&&&&06600000.&&&&&06 600 000 [# 230][# 209][# 225]
1970 Love Story &&&&&&&080000000.&&&&&080 000 000R &&&&&&&&02260000.&&&&&02 260 000 [# 231][# 232]
Airport - flygplatsen &&&&&&&075000000.&&&&&075 000 000R &&&&&&&010000000.&&&&&010 000 000 [# 233][# 234]
1971 French Connection - Lagens våldsamma män &&&&&&&075000000.&&&&&075 000 000R &&&&&&&&03300000.&&&&&03 300 000 [# 110]
Spelman på taket &&&&&&&049400000.&&&&&049 400 000R
(&&&&&&0100000000.&&&&&0100 000 000/&&&&&&&045100000.&&&&&045 100 000R)
&&&&&&&&09000000.&&&&&09 000 000 [# 235][# 236]
Diamantfeber &&&&&&0116000000.&&&&&0116 000 000 (&&&&&&&045700000.&&&&&045 700 000)R &&&&&&&&07200000.&&&&&07 200 000 [# 213][# 214]
1972 Gudfadern &&&&&&0245066411.&&&&&0245 066 411–&&&&&&0286000000.&&&&&0286 000 000
(&&&&&&0127600000.&&&&&0127 600 000–&&&&&&0142000000.&&&&&0142 000 000)R
&&&&&&&&06200000.&&&&&06 200 000 [# 237][# 236][# 238][# 239]
1973 Exorcisten &&&&&&0413071011.&&&&&0413 071 011 (&&&&&&0110000000.&&&&&0110 000 000)R &&&&&&&010000000.&&&&&010 000 000 [# 240][# 241]
Blåsningen &&&&&&0115000000.&&&&&0115 000 000R &&&&&&&&05500000.&&&&&05 500 000 [# 242][# 243]
1974 Skyskrapan brinner! &&&&&&&088650000.&&&&&088 650 000R &&&&&&&015000000.&&&&&015 000 000 [# 244]
Det våras för sheriffen &&&&&&&080000000.&&&&&080 000 000+R &&&&&&&&02600000.&&&&&02 600 000 [# 245][# 246]
1975 Hajen &&&&&&0470653000.&&&&&0470 653 000 (&&&&&&0193700000.&&&&&0193 700 000)R &&&&&&&&09000000.&&&&&09 000 000 [# 247][# 248][# 249]
1976 Rocky &&&&&&0225000000.&&&&&0225 000 000 (&&&&&&&077100000.&&&&&077 100 000)R &&&&&&&&01075000.&&&&&01 075 000 [# 250][# 236][# 251]
1977 Stjärnornas krig &&&&&&0775398007.&&&&&0775 398 007
(&&&&&&0530000000.&&&&&0530 000 000SW/&&&&&&0268500000.&&&&&0268 500 000R)
&&&&&&&011293151.&&&&&011 293 151 [# 252][# 253][# 236][# 254]
1978 Grease &&&&&&0394589888.&&&&&0394 589 888 (&&&&&&0341000000.&&&&&0341 000 000) &&&&&&&&06000000.&&&&&06 000 000 [# 255][# 256][# 224]
1979 Moonraker &&&&&&0210300000.&&&&&0210 300 000 &&&&&&&031000000.&&&&&031 000 000 [# 213][# 257]
Rocky II &&&&&&0200182289.&&&&&0200 182 289 &&&&&&&&07000000.&&&&&07 000 000 [# 258][# 259][# 257]
1980 Rymdimperiet slår tillbaka &&&&&&0538375067.&&&&&0538 375 067 (&&&&&&0413562607.&&&&&0413 562 607)SW &&&&&&&023000000.&&&&&023 000 000–&&&&&&&032000000.&&&&&032 000 000 [# 260][# 261]
1981 Jakten på den försvunna skatten &&&&&&0389925971.&&&&&0389 925 971
(&&&&&&0321866000.&&&&&0321 866 000–&&&&&&0353988025.&&&&&0353 988 025)
&&&&&&&018000000.&&&&&018 000 000–&&&&&&&022800000.&&&&&022 800 000 [# 262]
1982 E.T. the Extra-Terrestrial &&&&&&0792910554.&&&&&0792 910 554
(&&&&&&0619000000.&&&&&0619 000 000–&&&&&&0664000000.&&&&&0664 000 000)
&&&&&&&010500000.&&&&&010 500 000–&&&&&&&012200000.&&&&&012 200 000 [# 263][# 253][# 264][# 265]
1983 Jedins återkomst &&&&&&0475106177.&&&&&0475 106 177 (&&&&&&0385845197.&&&&&0385 845 197)SW &&&&&&&032500000.&&&&&032 500 000–&&&&&&&042700000.&&&&&042 700 000 [# 266][# 261]
1984 Indiana Jones och de fördömdas tempel &&&&&&0333107271.&&&&&0333 107 271 &&&&&&&027000000.&&&&&027 000 000–&&&&&&&028200000.&&&&&028 200 000 [# 267][# 268][# 269]
1985 Tillbaka till framtiden &&&&&&0381109043.&&&&&0381 109 043 &&&&&&&022000000.&&&&&022 000 000 [# 270][# 271]
1986 Top Gun &&&&&&0356830601.&&&&&0356 830 601 (&&&&&&0345000000.&&&&&0345 000 000) &&&&&&&014000000.&&&&&014 000 000–&&&&&&&019000000.&&&&&019 000 000 [# 272][# 273][# 268]
1987 Farlig förbindelse &&&&&&0320145905.&&&&&0320 145 905 &&&&&&&014000000.&&&&&014 000 000 [# 274][# 268]
1988 Rain Man &&&&&&0354825476.&&&&&0354 825 476 &&&&&&&030000000.&&&&&030 000 000 [# 275][# 276]
1989 Indiana Jones och det sista korståget &&&&&&0474171806.&&&&&0474 171 806–&&&&&&0494000000.&&&&&0494 000 000 &&&&&&&036000000.&&&&&036 000 000–&&&&&&&055400000.&&&&&055 400 000 [# 277][# 268][# 278]
1990 Ghost &&&&&&0505702423.&&&&&0505 702 423 &&&&&&&022000000.&&&&&022 000 000 [# 279][# 268]
1991 Terminator 2 - Domedagen &&&&&&0519843975.&&&&&0519 843 975 &&&&&&&094000000.&&&&&094 000 000 [# 280][# 281]
1992 Aladdin &&&&&&0504050219.&&&&&0504 050 219 &&&&&&&028000000.&&&&&028 000 000 [# 282][# 146]
1993 Jurassic Park &&&&&01029153882.&&&&&01 029 153 882 (&&&&&&0914691118.&&&&&0914 691 118) &&&&&&&063000000.&&&&&063 000 000–&&&&&&&070000000.&&&&&070 000 000 [# 35]
1994 Lejonkungen &&&&&&0987483777.&&&&&0987 483 777 (&&&&&&0768155561.&&&&&0768 155 561) &&&&&&&045000000.&&&&&045 000 000–&&&&&&&079300000.&&&&&079 300 000 [# 44]
1995 Die Hard - Hämningslöst &&&&&&0366101666.&&&&&0366 101 666 &&&&&&&070000000.&&&&&070 000 000 [# 283][# 284]
1996 Independence Day &&&&&&0817400891.&&&&&0817 400 891 &&&&&&&075000000.&&&&&075 000 000 [3]
1997 Titanic &&&&&02186772302.&&&&&02 186 772 302 (&&&&&01843201268.&&&&&01 843 201 268) &&&&&&0200000000.&&&&&0200 000 000 [# 3]
1998 Armageddon &&&&&&0553709626.&&&&&0553 709 626 &&&&&&0140000000.&&&&&0140 000 000 [# 285][# 286]
1999 Star Wars: Episod I - Det mörka hotet &&&&&01027044677.&&&&&01 027 044 677 (&&&&&&0924317558.&&&&&0924 317 558) &&&&&&0115000000.&&&&&0115 000 000–&&&&&&0127500000.&&&&&0127 500 000 [# 37][# 261]
2000 Mission: Impossible II &&&&&&0546388105.&&&&&0546 388 105 &&&&&&0100000000.&&&&&0100 000 000–&&&&&&0125000000.&&&&&0125 000 000 [# 287][# 268]
2001 Harry Potter och De vises sten &&&&&&0974755371.&&&&&0974 755 371 &&&&&&0125000000.&&&&&0125 000 000 [# 45]
2002 Sagan om de två tornen &&&&&&0926047111.&&&&&0926 047 111 (&&&&&&0921780457.&&&&&0921 780 457) &&&&&&&094000000.&&&&&094 000 000 [# 61]
2003 Sagan om konungens återkomst &&&&&01119929521.&&&&&01 119 929 521 (&&&&&01119110941.&&&&&01 119 110 941) &&&&&&&094000000.&&&&&094 000 000 [# 21]
2004 Shrek 2 &&&&&&0919838758.&&&&&0919 838 758 &&&&&&0150000000.&&&&&0150 000 000 [# 63]
2005 Harry Potter och Den flammande bägaren &&&&&&0896911078.&&&&&0896 911 078 &&&&&&0150000000.&&&&&0150 000 000 [# 65]
2006 Pirates of the Caribbean: Död mans kista &&&&&01066179725.&&&&&01 066 179 725 &&&&&&0225000000.&&&&&0225 000 000 [# 29]
2007 Pirates of the Caribbean: Vid världens ände &&&&&&0963420425.&&&&&0963 420 425 &&&&&&0300000000.&&&&&0300 000 000 [# 49]
2008 The Dark Knight &&&&&01004558444.&&&&&01 004 558 444 (&&&&&&0997039412.&&&&&0997 039 412) &&&&&&0185000000.&&&&&0185 000 000 [# 42]
2009 Avatar &&&&&02782275172.&&&&&02 782 275 172 (&&&&&02749064328.&&&&&02 749 064 328) &&&&&&0237000000.&&&&&0237 000 000 [# 1][# 288]
2010 Toy Story 3 &&&&&01063171911.&&&&&01 063 171 911 &&&&&&0200000000.&&&&&0200 000 000 [# 31]
2011 Harry Potter och Dödsrelikerna: Del 2 &&&&&01341511219.&&&&&01 341 511 219 &&&&&&0250000000.&&&&&0250 000 000HP [# 13][# 289]
2012 The Avengers &&&&&01511757910.&&&&&01 511 757 910 &&&&&&0220000000.&&&&&0220 000 000 [# 8]
2013 Frost (film) 0Fel i uttryck: Okänt interpunktionstecken ",".Fel i uttryck: Okänt interpunktionstecken ","1 279 852 693 0Fel i uttryck: Okänt interpunktionstecken ",".Fel i uttryck: Okänt interpunktionstecken ","150 000 000 [# 290]
2014 Transformers: Age of Extinction &&&&&01104039076.&&&&&01 104 039 076 &&&&&&0210000000.&&&&&0210 000 000 [# 25][# 26]
2015 Star Wars: The Force Awakens &&&&&01751243529.&&&&&01 751 243 529 &&&&&&0200000000.&&&&&0200 000 000 [# 5]

Tidslinjerna för de mest inkomstbringande filmerna[redigera | redigera wikitext]

Tidslinjerna för de mest inkomstbringande filmerna
Fastställt Filmtitel Rekordinkomst Ref
1915[4] Nationens födelse $5,200,000R [# 88]
1940 $15,000,000R [# 291]
1940[5] Borta med vinden $32,000,000R [# 292]
1963 $67,000,000R [# 293]
1966[4] Sound of Music $114,600,000R [# 209]
1971[4] Borta med vinden $116,000,000R [# 294]
1972[4] Gudfadern $127,600,000–142,000,000R [# 236][# 295]
1976[6][7] Hajen $193,700,000R [# 248]
1978[8][9] Star Wars $410,000,000/$268,500,000R [# 296][# 236]
1982 $530,000,000 [# 253]
1983[10] E.T. the Extra-Terrestrial $619,000,000–664,000,000 [# 253][# 264]
1993 $701,000,000 [# 297]
1993[4] Jurassic Park $914,691,118 [# 35]
1998[11] Titanic $1,843,201,268 [# 3]
2010[12][13] Avatar $2 749 064 328 [# 1]
$2,782,275,172

Referenser[redigera | redigera wikitext]

Den här artikeln är helt eller delvis baserad på material från engelskspråkiga Wikipedia
  1. ^ ”All Time Worldwide Box Office Grosses”. Box Office Mojo. http://www.boxofficemojo.com/alltime/world/. Läst 7 augusti 2011. 
  2. ^ Glenday, Craig, red (2011) (på Russian, translated by Andrianov, P.I. & Palova, I.V.). Гиннесс. Мировые рекорды 2012. Moscow: Astrel. Sid. 211. ISBN 978-5-271-36423-5. 
  3. ^ ”Independence Day (1996)”. Box Office Mojo. http://www.boxofficemojo.com/movies/?id=independenceday.htm. Läst 13 september 2009. 
  4. ^ [a b c d e] Dirks, Tim. ”Top Films of All-Time: Part 1 – Box-Office Blockbusters”. Filmsite.org. http://www.filmsite.org/greatfilmssummary.html. Läst 11 augusti 2010. 
  5. ^ Miller, Frank; Stafford, Jeff (5 januari 2007). ”Gone With the Wind (1939) – Articles”. Turner Classic Movies. http://www.tcm.com/tcmdb/title/414427/Gone-With-the-Wind/articles.html. Läst januari 15, 2012. 
  6. ^ Dick, Bernard F. (1997). City of Dreams: The Making and Remaking of Universal Pictures. University Press of Kentucky. Sid. 168. ISBN 9780813120164. ”Jaws (1975) saved the day, grossing $104 million domestically and $132 million worldwide by January 1976.” 
  7. ^ Kilday, Gregg (July 5, 1977). ”Director of 'Jaws II' Abandons His 'Ship'”. The Victoria Advocate: s. 6B. 
  8. ^ New York (AP) (May 26, 1978). ”Scariness of Jaws 2 unknown quantity”. The StarPhoenix: s. 21. 
  9. ^ Fenner, Pat C. (January 16, 1978). ”Independent Action”. Evening Independent: s. 11-A. 
  10. ^ Cook, David A. (2002). Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979. "Volume 9 of History of the American Cinema, Charles Harpole". University of California Press. Sid. 50. ISBN 9780520232655. ”The industry was stunned when Star Wars earned nearly $3 million in its first week and by the end of August had grossed $100 million; it played continuously throughout 1977-1978, and was officially re-released in 1978 and 1979, by the end of which it had earned $262 million in rentals worldwide to become the top- grossing film of all time – a position it would maintain until surpassed by Universal's E.T.: The Extra-Terrestrial in January 1983.” 
  11. ^ Titanic sinks competitors without a trace”. BBC News (BBC). February 25, 1998. http://news.bbc.co.uk/1/hi/world/59913.stm. Läst augusti 13, 2010. 
  12. ^ Cieply, Michael (January 26, 2010). ”He Doth Surpass Himself: ‘Avatar’ Outperforms ‘Titanic’”. The New York Times. http://www.nytimes.com/2010/01/27/movies/awardsseason/27record.html. Läst januari 27, 2010. 
  13. ^ Segers, Frank (January 25, 2010). ”'Avatar' breaks 'Titanic' worldwide record”. The Hollywood Reporter. http://www.hollywoodreporter.com/news/avatar-breaks-titanic-worldwide-record-19914. Läst 4 december 2010. 
  1. ^ [a b c] Avatar
  2. ^ ”All Time Worldwide Box Office”. Box Office Mojo. Arkiverad från originalet den 3 november 2010. http://web.archive.org/web/20101103063039/http://www.boxofficemojo.com/alltime/world. 
  3. ^ [a b c] Titanic
  4. ^ [a b] ”All Time Worldwide Box Office”. Box Office Mojo. Arkiverad från originalet den 16 juli 2001. http://web.archive.org/web/20010716094602/http://www.boxofficemojo.com/alltime/world/. 
  5. ^ [a b] ”Star Wars: The Force Awakens (2015)”. Box Office Mojo. http://www.boxofficemojo.com/movies/?id=starwars7.htm. Läst 12 januari 2016. 
  6. ^ ”Jurassic World (2015)”. Box Office Mojo. http://www.boxofficemojo.com/movies/?id=jurassicpark4.htm. Läst 24 november 2015. 
  7. ^ [a b c] ”All Time Worldwide Box Office”. Box Office Mojo. Arkiverad från originalet den 26 november 2015. http://web.archive.org/web/20151126172916/http://www.boxofficemojo.com/alltime/world. 
  8. ^ [a b] ”The Avengers (2012)”. Box Office Mojo. http://www.boxofficemojo.com/movies/?id=avengers11.htm. Läst oktober 7, 2012. 
  9. ^ ”All Time Worldwide Box Office”. Box Office Mojo. Arkiverad från originalet den 1 oktober 2012. http://web.archive.org/web/20121001185608/http://www.boxofficemojo.com/alltime/world. 
  10. ^ ”Furious 7 (2015)”. Box Office Mojo. http://www.boxofficemojo.com/movies/?id=fast7.htm. Läst 23 december 2015. 
  11. ^ [a b] ”All Time Worldwide Box Office”. Box Office Mojo. Arkiverad från originalet den 26 juni 2015. http://web.archive.org/web/20150626115331/http://www.boxofficemojo.com/alltime/world/. 
  12. ^ ”Avengers: Age of Ultron (2015)”. Box Office Mojo. http://www.boxofficemojo.com/movies/?id=avengers2.htm. Läst 3 januari 2016. 
  13. ^ [a b] ”Harry Potter and the Deathly Hallows Part 2 (2011)”. Box Office Mojo. http://www.boxofficemojo.com/movies/?id=harrypotter72.htm. Läst 7 oktober 2011. 
  14. ^ [a b] ”All Time Worldwide Box Office”. Box Office Mojo. Arkiverad från originalet den 31 oktober 2011. http://web.archive.org/web/20111031012438/http://www.boxofficemojo.com/alltime/world/. 
  15. ^ Frozen
    Total as of August 3, 2014: $247,650,477
    Total as of August 31, 2014: $249,036,646
    Total as of August 17, 2014: $167,333
    Total as of July 27, 2014: $21,668,593
    Total as of November 2, 2014: $22,492,845
    Total as of June 8, 2014: £39,090,985
    Total as of November 30, 2014: £40,960,083 ($1 = £0.63866)
    Total as of December 7, 2014: £41,087,765 ($1 = £0.64136)
    Total as of December 14, 2014: £41,170,608 ($1 = £0.636)
  16. ^ ”All Time Worldwide Box Office”. Box Office Mojo. Arkiverad från originalet den 2 juli 2014. http://web.archive.org/web/20140702050222/http://www.boxofficemojo.com/alltime/world/. 
  17. ^ ”Iron Man 3 (2013)”. Box Office Mojo. http://www.boxofficemojo.com/movies/?id=ironman3.htm. Läst 28 oktober 2013. 
  18. ^ ”All Time Worldwide Box Office”. Box Office Mojo. Arkiverad från originalet den 31 augusti 2013. http://web.archive.org/web/20130831013559/http://www.boxofficemojo.com/alltime/world/. 
  19. ^ ”Minions (2015)”. Box Office Mojo. http://www.boxofficemojo.com/movies/?id=minions.htm. Läst 2 januari 2016. 
  20. ^ ”Transformers: Dark of the Moon (2011)”. Box Office Mojo. http://boxofficemojo.com/movies/?id=transformers3.htm. Läst 18 januari 2014. 
  21. ^ [a b] The Lord of the Rings: The Return of the King
  22. ^ [a b] ”All Time Worldwide Box Office”. Box Office Mojo. Arkiverad från originalet den 5 juni 2004. http://web.archive.org/web/20040605104640/http://www.boxofficemojo.com/alltime/world/. 
  23. ^ ”Skyfall (2012)”. Box Office Mojo. http://boxofficemojo.com/movies/?page=main&id=bond23.htm. Läst 1 april 2013. 
  24. ^ ”All Time Worldwide Box Office”. Box Office Mojo. Arkiverad från originalet den 3 mars 2013. http://web.archive.org/web/20130303064100/http://www.boxofficemojo.com/alltime/world/. 
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  27. ^ ”The Dark Knight Rises (2012)”. Box Office Mojo. http://www.boxofficemojo.com/movies/?id=batman3.htm. Läst 14 december 2012. 
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  33. ^ ”Pirates of the Caribbean: On Stranger Tides”. Box Office Mojo. http://boxofficemojo.com/movies/?id=piratesofthecaribbean4.htm. Läst 22 augusti 2011. 
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  37. ^ [a b] Star Wars Episode I: The Phantom Menace
  38. ^ ”Alice in Wonderland (2010)”. Box Office Mojo. http://boxofficemojo.com/movies/?id=aliceinwonderland10.htm. Läst 17 juli 2011. 
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  47. ^ ”Despicable Me 2 (2013)”. Box Office Mojo. http://www.boxofficemojo.com/movies/?id=despicableme2.htm. Läst 24 februari 2013. 
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  78. ^ ”Inside Out (2015)”. Box Office Mojo. http://www.boxofficemojo.com/movies/?id=pixar2014.htm. Läst 24 november 2015. 
  79. ^ ”Star Wars Episode III: Revenge of the Sith (2005)”. Box Office Mojo. http://www.boxofficemojo.com/movies/?id=starwars3.htm. Läst 5 februari 2009. 
  80. ^ ”All Time Worldwide Box Office”. Box Office Mojo. Arkiverad från originalet den 1 oktober 2005. http://web.archive.org/web/20051001051454/http://boxofficemojo.com/alltime/world/. 
  81. ^ ”Transformers: Revenge of the Fallen (2009)”. Box Office Mojo. http://www.boxofficemojo.com/movies/?id=transformers2.htm. Läst 15 oktober 2009. 
  82. ^ ”All Time Worldwide Box Office”. Box Office Mojo. Arkiverad från originalet den 3 september 2009. http://web.archive.org/web/20090903004348/http://www.boxofficemojo.com/alltime/world. 
  83. ^ ”The Twilight Saga: Breaking Dawn – Part 2 (2012)”. Box Office Mojo. http://www.boxofficemojo.com/movies/?id=breakingdawn2.htm. Läst 1 maj 2013. 
  84. ^ ”All Time Worldwide Box Office”. Box Office Mojo. Arkiverad från originalet den 3 mars 2013. http://web.archive.org/web/20130303064100/http://www.boxofficemojo.com/alltime/world. 
  85. ^ ”Inception (2010)”. Box Office Mojo. http://www.boxofficemojo.com/movies/?id=inception.htm. Läst 31 oktober 2010. 
  86. ^ ”Spider-Man (2002)”. Box Office Mojo. http://www.boxofficemojo.com/movies/?id=spiderman.htm. Läst 5 februari 2009. 
  87. ^ Monaco, James (2009). How to Read a Film:Movies, Media, and Beyond. Oxford University Press. Sid. 262. ISBN 9780199755790. ”The Birth of a Nation, costing an unprecedented and, many believed, thoroughly foolhardy $110,000, eventually returned $20 million and more. The actual figure is hard to calculate because the film was distributed on a "states' rights" basis in which licenses to show the film were sold outright. The actual cash generated by The Birth of a Nation may have been as much as $50 million to $100 million, an almost inconceivable amount for such an early film.” 
  88. ^ [a b] Wasko, Janet (1986). ”D.W. Griffiths and the banks: a case study in film financing”. i Kerr, Paul. The Hollywood Film Industry: A Reader. Routledge. Sid. 34. ISBN 9780710097309. ”Various accounts have cited $15 to $18 million profits during the first few years of release, while in a letter to a potential investor in the proposed sound version, Aitken noted that a $15 to $18 million box-office gross was a 'conservative estimate'. For years Variety has listed The Birth of a Nation's total rental at $50 million. (This reflects the total amount paid to the distributor, not box-office gross.) This 'trade legend' has finally been acknowledged by Variety as a 'whopper myth', and the amount has been revised to $5 million. That figure seems far more feasible, as reports of earnings in the Griffith collection list gross receipts for 1915–1919 at slightly more than $5.2 million (including foreign distribution) and total earnings after deducting general office expenses, but not royalties, at about $2 million.” 
  89. ^ Lang, Robert, red (1994). The Birth of a nation: D.W. Griffith, director. Rutgers University Press. Sid. 30. ISBN 978-0-8135-2027-8. ”The film eventually cost $110,000 and was twelve reels long.” 
  90. ^ [a b] Block & Wilson 2010, s. 26.
    • Intolerance: "Domestic Rentals: $1.0 (Unadjusted $s in Millions of $s)."
    • Cleopatra: "Domestic Rentals: $0.5; Production Cost: $0.3 (Unadjusted $s in Millions of $s)."
  91. ^ Birchard, Robert S. (2010), Intolerance, s. 45, ”Intolerance was the most expensive American film made up until that point, costing a total of $489,653, and its performance at the box ... but it did recoup its cost and end with respectable overall numbers.”  In: Block & Wilson 2010.
  92. ^ Coons, Robin (June 30, 1939). ”Hollywood Chatter”. The Daytona Beach News-Journal: s. 6. 
  93. ^ Shipman, David (1970). The great movie stars: the golden years. Crown Publishing Group. Sid. 98. ”It was a low budgeter—$120,000—but it grossed world-wide over $3 million and made stars of Chaney and his fellow-players, Betty Compson and Thomas Meighan.” 
  94. ^ [a b c d] ”Biggest Money Pictures”. Variety: s. 1. June 21, 1932.  Cited in ”Biggest Money Pictures”. Cinemaweb. Arkiverad från originalet den 8 juli 2011. http://web.archive.org/web/20110708155503/http://www.cinemaweb.com/silentfilm/bookshelf/7_v_32_4.htm. Läst juli 14, 2011. 
  95. ^ [a b] Solomon, Aubrey (2011). The Fox Film Corporation, 1915-1935: A History and Filmography. McFarland & Company. ISBN 9780786462865. 
    • Way Down East: p. 52. "D.W. Griffith's Way Down East (1920) was projected to return rentals of $4,000,000 on an $800,000 negative. This figure was based on the amounts earned from its roadshow run, coupled with its playoff in the rest of the country's theaters. Griffith had originally placed the potential film rental at $3,000,000 but, because of the success of the various roadshows that were running the $4,000,000 total was expected. The film showed a profit of $615,736 after just 23 weeks of release on a gross of $2,179,613."
    • What Price Glory?: p. 112. "What Price Glory hit the jackpot with massive world rentals of $2,429,000, the highest figure in the history of the company. Since it was also the most expensive production of the year at $817,000 the profit was still a healthy $796,000..."
    • Cavalcade: p. 170. "The actual cost of Cavalcade was $1,116,000 and it was most definitely not guaranteed a success. In fact, if its foreign grosses followed the usual 40 percent of domestic returns, the film would have lost money. In a turnaround, the foreign gross was almost double the $1,000,000 domestic take to reach total world rentals of $3,000,000 and Fox's largest profit of the year at $664,000."
    • State Fair: p. 170. "State Fair did turn out to be a substantial hit with the help of Janet Gaynor boosting Will Rogers back to the level of money-making star. Its prestige engagements helped raked in a total $1,208,000 in domestic rentals. Surprisingly, in foreign countries unfamiliar with state fairs, it still earned a respectable $429,000. With its total rentals, the film ended up showing a $398,000 profit."
  96. ^ Hall & Neale 2010, s. 53. "The Four Forsemen of the Apocalypse was to become Metro's most expensive production and one of the decade's biggest box-office hits. Its production costs have been estimated at "something between $600,000 and $800,000." Variety estimated its worldwide gross at $4 million in 1925 and at $5 million in 1944; in 1991, it estimated its cumulative domestic rentals at $3,800,000."
  97. ^ Brownlow, Kevin (1968). The parade's gone by .... University of California Press. Sid. 255. ISBN 978-0-520-03068-8. ”The negative cost was about $986,000, which did not include Fairbanks' own salary. Once the exploitation and release prints were taken into account, Robin Hood cost about $1,400,000—exceeding both Intolerance ($700,000) and the celebrated "million dollar movie" Foolish Wives. But it earned $2,500,000.” 
  98. ^ [a b] Business: Film Exports”. Time. July 6, 1925. Arkiverad från originalet den November 5, 2010. http://web.archive.org/web/20101105030518/http://www.time.com/time/magazine/article/0,9171,728553,00.html. Läst juli 12, 2011. 
  99. ^ [a b c d e] Birchard, Robert S. (2009). Cecil B. DeMille's Hollywood. University Press of Kentucky. ISBN 9780813138299. 
  100. ^ May, Richard P. (Fall 2005), ”Restoring The Big Parade”, The Moving Image 5 (2): 140–146, doi:10.1353/mov.2005.0033, ISSN 1532-3978, ”...earning somewhere between $18 and $22 million, depending on the figures consulted” 
  101. ^ Robertson, Patrick (1991). Guinness Book of Movie Facts and Feats (4). Abbeville Publishing Group. Sid. 30. ISBN 9781558592360. ”The top grossing silent film was King Vidor's The Big Parade (US 25), with worldwide rentals of $22 million.” 
  102. ^ Hall & Neale 2010, s. 58–59. "Even then, at a time when the budget for a feature averaged at around $300,000, no more than $382,000 was spent on production...According to the Eddie Mannix Ledger at MGM, it grossed $4,990,000 domestically and $1,141,000 abroad."
  103. ^ Hall & Neale 2010, s. 163. "MGM's silent Ben-Hur, which opened at the end of 1925, had out-grossed all the other pictures released by the company in 1926 combined. With worldwide rentals of $9,386,000 on first release it was, with the sole possible exception of The Birth of a Nation, the highest-earning film of the entire silent era. (At a negative cost of $3,967,000, it was also the most expensive.)"
  104. ^ Miller, Frank. ”For Heaven's Sake (1926) – Articles”. Turner Classic Movies. http://www.tcm.com/tcmdb/title/410794/For-Heaven-s-Sake/articles.html. Läst januari 15, 2012. 
  105. ^ Finler 2003, s. 188. "At a cost of $2 million Wings was the studio's most expensive movie of the decade, and though it did well it was not good enough to earn a profit."
  106. ^ [a b] The Jazz Singer and The Singing Fool
    • Block, Hayley Taylor (2010), The Jazz Singer, s. 113, ”The film brought in $2.6 million in worldwide rentals and made a net profit of $1,196,750. Jolson's follow-up Warner Bros. film, The Singing Fool (1928), brought in over two times as much, with $5.9 in worldwide rentals and a profit of $3,649,000, making them two of the most profitable films in the 1920s.”  In: Block & Wilson 2010.
  107. ^ Crafton, Donald (1999). The Talkies: American Cinema's Transition to Sound, 1926-1931. University of California Press. Sid. 549–552. ISBN 9780520221284. ”The Singing Fool: Negative Cost ($1000s): 388” 
  108. ^ Birchard, Robert S. (2010), The Broadway Melody, s. 121, ”It earned $4.4 million in worldwide rentals and was the first movie to spawn sequels (there were several until 1940).”  In: Block & Wilson 2010.
  109. ^ Bradley, Edwin M. (2004) [1st. pub. 1996]. The First Hollywood Musicals: A Critical Filmography of 171 Features, 1927 Through 1932. McFarland & Company. ISBN 9780786420292. 
    • The Singing Fool: p. 12. "Ego aside, Jolson was at the top of his powers in The Singing Fool. The $150,000 Warner Bros. paid him to make it, and the $388,000 it took to produce the film, were drops in the hat next to the film's world gross of $5.9 million. Its $3.8-million gross in this country set a box-office record that would not be surpassed until Walt Disney's Snow White and the Seven Dwarfs (1937)."
    • The Broadway Melody: p. 24. "The Broadway Melody with a negative cost of $379,000, grossed $2.8 million in the United States, $4.8 million worldwide, and made a recorded profit of $1.6 million for MGM."
    • Gold Diggers of Broadway: p. 58. "It grossed an impressive $2.5 million domestically and nearly $4 million worldwide."
  110. ^ [a b c] Solomon, Aubrey (2002) [First published 1988]. Twentieth Century-Fox: a corporate and financial history. Filmmakers series. "20". Rowman & Littlefield. ISBN 9780810842441. 
    • Sunny Side Up: p. 10. "Sunny Side Up, a musical starring Janet Gaynor and Charles Farrell, showed domestic rentals of $3.5 million, a record for the company."
    • Forever Amber: p. 66. "On the surface, with world rentals of $8 million, Forever Amber was considered a hit at distribution level."
    • The French Connection
    p. 167. "The Planet of the Apes motion pictures were all moneymakers and Zanuck's record would have immediately improved had he stayed through the release of The French Connection, which took in rentals of approximately $75 million worldwide."
    p. 256. "$3,300,00".
  111. ^ Block & Wilson 2010, s. 46. "Production Cost: $0.6 (Unadjusted $s in Millions of $s)."
  112. ^ Cormack, Mike (1993). Ideology and Cinematography in Hollywood, 1930-1939. Palgrave Macmillan. Sid. 28. ISBN 9780312100674. ”Although costing $1250000—a huge sum for any studio in 1929—the film was a financial success. Karl Thiede gives the domestic box-office at $1500000, and the same figure for the foreign gross.” 
  113. ^ [a b] Balio, Tino (1996). Grand Design: Hollywood as a Modern Business Enterprise, 1930-1939. "Volume 5 of History of the American Cinema". University of California Press. ISBN 9780520203341. 
    • Cavalcade: p. 182. "Produced by Winfield Sheehan at a cost of $1.25 million, Cavalcade won Academy Awards for best picture, director, art direction and grossed close to $4 million during its first release, much of which came from Great Britain and the Empire."
    • Whoopee: p. 212. "Produced by Sam Goldwyn at a cost of $1 million, the picture was an adaptation of a smash musical comedy built around Eddie Cantor...A personality-centered musical, Whoopee! made little attempt to integrate the comedy routines, songs, and story. Nonetheless, Cantor's feature-film debut grossed over $2.6 million worldwide and started a popular series that included Palmy Days (1931), The Kid from Spain (1932), and Roman Scandals (1933)."
  114. ^ Hell's Angels
    • Balio, Tino (1976). United Artists: The Company Built by the Stars. University of Wisconsin Press. Sid. 110. ”Hughes did not have the "Midas touch" the trade press so often attributed to him. Variety, for example, reported that Hell's Angels cost $3.2 million to make, and by July, 1931, eight months after its release, the production cost had nearly been paid off. Keats claimed the picture cost $4 million to make and that it earned twice that much within twenty years. The production cost estimate is probably correct. Hughes worked on the picture for over two years, shooting it first as a silent and then as a talkie. Lewis Milestone said that in between Hughes experimented with shooting it in color as well. But Variety's earnings report must be the fabrication of a delirious publicity agent, and Keats' the working of a myth maker. During the seven years it was in United Artists distribution, Hell's Angels grossed $1.6 million in the domestic market, of which Hughes' share was $1.2 million. Whatever the foreign gross was, it seems unlikely that it was great enough to earn a profit for the picture.” 
  115. ^ Feaster, Felicia. ”Frankenstein (1931)”. Turner Classic Movies. http://www.tcm.com/this-month/article/373967%7C18617/Frankenstein.html. Läst juli 4, 2011. 
  116. ^ Block & Wilson 2010, s. 163. "It drew $1.4 million in worldwide rentals in its first run versus $1.2 million for Dracula, which had opened in February 1931."
  117. ^ Vance, Jeffrey (2003). Chaplin: genius of the cinema. Abrams Books. Sid. 208. ”Chaplin's negative cost for City Lights was $1,607,351. The film eventually earned him a worldwide profit of $5 million ($2 million domestically and $3 million in foreign distribution), an enormous sum of money for the time.” 
  118. ^ Ramsaye, Terry, red (1937). ”The All-Time Best Sellers – Motion Pictures”. International Motion Picture Almanac 1937-38 (New York: The Quigley Publishing Company): sid. 942–943. ”Kid from Spain: $2,621,000 (data supplied by Eddie Cantor)”. 
  119. ^ [a b c d] Sedgwick, John (2000). Popular Filmgoing In 1930s Britain: A Choice of Pleasures. University of Exeter Press. Sid. 146–148. ISBN 9780859896603. ”Sources: Eddie Mannix Ledger, made available to the author by Mark Glancy...” 
    • Grand Hotel: Production Cost $000s: 700; Distribution Cost $000s: 947; US box-office $000s: 1,235; Foreign box-office $000s: 1,359; Total box-office $000s: 2,594; Profit $000s: 947.
    • The Merry Widow: Production Cost $000s: 1,605; Distribution Cost $000s: 1,116; US box-office $000s: 861; Foreign box-office $000s: 1,747; Total box-office $000s: 2,608; Profit $000s: -113.
    • Viva Villa: Production Cost $000s: 1,022; Distribution Cost $000s: 766; US box-office $000s: 941; Foreign box-office $000s: 934; Total box-office $000s: 1,875; Profit $000s: 87.
    • Mutiny on the Bounty: Production Cost $000s: 1,905; Distribution Cost $000s: 1,646; US box-office $000s: 2,250; Foreign box-office $000s: 2,210; Total box-office $000s: 4,460; Profit $000s: 909.
    • San Francisco: Production Cost $000s: 1,300; Distribution Cost $000s: 1,736; US box-office $000s: 2,868; Foreign box-office $000s: 2,405; Total box-office $000s: 5,273; Profit $000s: 2,237.
  120. ^ Shanghai Express
    • Block & Wilson 2010, s. 165. "Shanghai Express was Dietrich's biggest hit in America, bringing in $1.5 million in worldwide rentals."
  121. ^ King Kong
  122. ^ ”I'm No Angel (1933) – Notes”. Turner Classic Movies. http://www.tcm.com/tcmdb/title/79021/I-m-No-Angel/notes.html. Läst januari 7, 2012. ”According to a modern source, it had a gross earning of $2,250,000 on the North American continent, with over a million more earned internationally.” 
  123. ^ Finler 2003, s. 188. "The studio released its most profitable pictures of the decade in 1933, She Done Him Wrong and I'm No Angel, written by and starring Mae West. Produced at a rock-bottom cost of $200,000 each, they undoubtedly helped Paramount through the worst patch in its history..."
  124. ^ Block, Alex Ben (2010), She Done Him Wrong, s. 173, ”The worldwide rentals of over $3 million keep the lights on at Paramount, which did not shy away from selling the movie's sex appeal.”  In: Block & Wilson 2010.
  125. ^ Phillips, Kendall R. (2008). Controversial Cinema: The Films That Outraged America. ABC-CLIO. Sid. 26. ISBN 9781567207248. ”The reaction to West's first major film, however, was not exclusively negative. Made for a mere $200,000, the film would rake in a healthy $2 million in the United States and an additional million in overseas markets.” 
  126. ^ Block & Wilson 2010, s. 135. "Total production cost: $274,076 (Unadjusted $s)."
  127. ^ [a b] Turk, Edward Baron (2000) [1st. pub. 1998]. Hollywood Diva: A Biography of Jeanette MacDonald. University of California Press. ISBN 9780520222533. 
    • The Merry Widow: p. 361 Cost: $1,605,000. Earnings: domestic $861,000; foreign $1,747,000; total $2,608,000. Loss: $113,000.
    • San Francisco: p. 364 Cost: $1,300,000. Earnings: domestic $2,868,000; foreign $2,405,000; total $5,273,000. Profit: $2,237,000. [Reissues in 1938–39 and 1948–49 brought profits of $124,000 and $647,000 respectively.]
  128. ^ McBride, Joseph (2011). Frank Capra: The Catastrophe of Success. University Press of Mississippi. Sid. 309. ISBN 9781604738384. ”According to the studio's books It Happened One Night brought in $1 million in film rentals during its initial release, but as Joe Walker pointed out, the figure would have been much larger if the film had not been sold to theaters on a block-booking basis in a package with more that two dozen lesser Columbia films, and the total rentals of the package spread among them all, as was customary in that era, since it minimized the risk and allowed the major studios to dominate the marketplace.” 
  129. ^ Dick, Bernard F. (2008). Claudette Colbert: She Walked in Beauty. University Press of Mississippi. Sid. 79. ISBN 9781604730876. ”Although Columbia's president, Harry Cohn, had strong reservations about It Happened One Night, he also knew that it would not bankrupt the studio; the rights were only $5,000, and the budget was set at $325,000, including the performers' salaries.” 
  130. ^ Snow White and the Seven Dwarfs
    • Monaco, Paul (2010). A History of American Movies: A Film-By-Film Look at the Art, Craft, and Business of Cinema. Scarecrow Press. Sid. 54. ISBN 9780810874343. ”Considered a highly risky gamble when the movie was in production in the mid-1930s, by the fiftieth anniversary of its 1937 premiere Snow White's earnings exceeded $330 million.” 
    • Wilhelm, Henry Gilmer; Brower, Carol (1993). The Permanence and Care of Color Photographs: Traditional and Digital Color Prints, Color Negatives, Slides, and Motion Pictures. Preservation Pub. Sid. 359. ISBN 978-0911515008. ”In only 2 months after the 1987 re-release, the film grossed another $45 million—giving it a total gross to date of about $375 million!” 
    • ”Snow White and the Seven Dwarfs”. The Numbers. Nash Information Services. http://www.the-numbers.com/movies/1937/0SWSD.php. Läst juli 5, 2011. ”North American box-office: Total – $184,925,485; 1987 release – $45,249,956; 1993 release – $41,316,184” 
  131. ^ [a b] Snow White and the Seven Dwarfs and Pinocchio
    p. 207. "When the budget rose from $250,000 to $1,488,423 he even mortgaged his own home and automobile. Disney had bet more than his company on the success of Snow White."
    p. 237. "By the end of 1938, it had grossed more than $8 million in worldwide rentals and was ranked at the time as the second-highest-grossing film after the 1925 epic Ben-Hur".
    p. 255. "On its initial release Pinocchio brought in only $1.6 million in domestic rentals (compared with Snow White's $4.2 million) and $1.9 million in foreign rentals (compared with Snow White's $4.3 million)."
  132. ^ 1938
    • You Can't Take It With You:”You Can't Take It With You Premieres”. Focus Features. Arkiverad från originalet den 13 september 2012. http://www.webcitation.org/6AeWlL1hk. Läst 13 september 2012. ”You Can't Take It With You received excellent reviews, won Best Picture and Best Director at the 1938 Academy Awards, and earned over $5 million worldwide.” 
    • Boys Town: Block, Alex Ben (2010), Boys Town, s. 215, ”The film quickly became a smash nationwide, making a profit of over $2 million on worldwide rentals of $4 million.”  In: Block & Wilson 2010.
    • The Adventures of Robin Hood: Glancy, H. Mark (1995). ”Warner Bros Film Grosses, 1921–51: the William Schaefer ledger”. Historical Journal of Film, Radio and Television 1 (15): sid. 55–60. doi:10.1080/01439689500260031. ”$3.981 million.”. 
    • Alexander's Ragtime Band: Block, Hayley Taylor (2010), Alexander's Ragtime Band, s. 213, ”Once the confusion cleared, however, the film blossomed into a commercial success, with a profit of $978,000 on worldwide rentals of $3.6 million.”  In: Block & Wilson 2010.
  133. ^ Chartier, Roy (6 september 1938). ”You Can't Take It With You”. Variety. http://www.variety.com/review/VE1117796537. Läst 13 september 2011. 
  134. ^ ”Gone with the Wind”. The Numbers. Nash Information Services. http://www.the-numbers.com/movies/1939/0GWTW.php. Läst februari 8, 2013. 
  135. ^ ”Gone with the Wind”. Boxoffice. http://www.boxoffice.com/statistics/movies/gone-with-the-wind-1939. Läst juni 23, 2013. 
  136. ^ Jones, Lon (March 4, 1944). ”Which Cinema Films Have Earned The Most Money Since 1914?”. The Argus (Melbourne): s. 3 Supplement: The Argus Weekend magazine. 
  137. ^ Hall & Neale 2010, s. 283 ."The final negative cost of Gone with the Wind (GWTW) has been variously reported between $3.9 million and $4.25 million."
  138. ^ ”Pinocchio (1940)”. Boxoffice. http://www.boxoffice.com/statistics/movies/pinocchio-1940. Läst juni 22, 2013. 
  139. ^ Barrier, Michael (2003). Hollywood Cartoons: American Animation in Its Golden Age. New York: Oxford University Press. Sid. 266. ISBN 9780199839223. ”The film's negative cost was $2.6 million, more than $1 million higher than Snow White's.” 
  140. ^ Schatz, Thomas (1999) [1st. pub. 1997]. Boom and Bust: American Cinema in the 1940s. "Volume 6 of History of the American Cinema". University of California Press. Sid. 466. ISBN 9780520221307. ”Boom Town ($4.6 million).” 
  141. ^ Block & Wilson 2010, s. 258259. "Production Cost: $2.1 (Unadjusted $s in Millions of $s) ... Boom Town was the biggest moneymaker of 1940 and one of the top films of the decade."
  142. ^ Block & Wilson 2010, s. 267. "With worldwide rentals of $7.8 million in its initial release, the movie made a net profit of over $3 million."
  143. ^ Finler 2003, s. 301. "The studio did particularly well with its war-related pictures, such as Sergeant York (1941), which cost $1.6 million but was the studio's biggest hit of the decade aside from This is the Army (1943), the Irving Berlin musical for which the profits were donated to the Army Emergency Relief fund."
  144. ^ ”Bambi”. Boxoffice. http://www.boxoffice.com/statistics/movies/bambi-1942. Läst juni 22, 2013. 
  145. ^ Block & Wilson 2010, s. 281. "Worldwide rentals of $3,449,353 barely recouped the film's nearly $2 million production cost."
  146. ^ [a b c d] Block & Wilson 2010, s. 712–713.
    • Bambi: "Worldwide Box Office: $266.8; Production Cost: $1.7 (Millions of $s)"
    • 101 Dalmatians: "Worldwide Box Office: $215.0; Production Cost: $3.6 (Millions of $s)"
    • The Jungle Book: "Worldwide Box Office: $170.8"; Production Cost: $3.9 (Millions of $s)"
    • Aladdin: "Worldwide Box Office: $505.1"; Production Cost: $28.0 (Millions of $s)"
  147. ^ Glancy, Mark (1999). When Hollywood Loved Britain: The Hollywood 'British' Film 1939-1945. Manchester University Press. Sid. 9495. ISBN 9780719048531. ”Mrs Miniver was a phenomenon. It was the most popular film of the year (from any studio) in both North America and Britain, and its foreign earnings were three times higher than those of any other MGM film released in the 1941–42 season. The production cost ($1,344,000) was one of the highest of the season, indicating the studio never thought of the film as a potential loss-maker. When the film earned a worldwide gross of $8,878,000, MGM had the highest profit ($4,831,000) in its history. Random Harvest nearly matched the success of Mrs Miniver with worldwide earnings of $8,147,000 yielding the second-highest profit in MGM's history ($4,384,000). Random Harvest was also the most popular film of the year in Britain, where it proved to be even more popular than Britain's most acclaimed war film, In Which We Serve.” 
  148. ^ Block & Wilson 2010
    • Mrs. Miniver: Burns, Douglas (2010), Mrs. Miniver, s. 279, ”Mrs. Miniver's galvanizing effect on Americans spawned a record-breaking ten-week run at Radio City Music Hall and garnered a $5.4 million take in domestic rentals (making Mrs. Miniver 1942's top grosser), with a $4.8 million profit on worldwide rentals of $8.9 million.” 
    • Yankee Doodle Dandy: p. 275. "It became the second biggest box-office hit of 1942 (after Mrs. Miniver) and was praised by critics, making a profit of $3.4 million on worldwide rentals of $6.5 million."
  149. ^ McAdams, Frank (2010), For Whom the Bell Tolls, s. 287, ”Despite the early furor over the novel being “pro-red and immoral,” the film opened to strong and favorable reviews and brought in $11 million in worldwide rentals in its initial release.”  In: Block & Wilson 2010.
  150. ^ ”For Whom the Bell Tolls (1943) – Notes”. Turner Classic Movies. http://www.tcm.com/tcmdb/title/75353/For-Whom-the-Bell-Tolls/notes.html. Läst juni 24, 2012. 
  151. ^ [a b] ”A Guy Named Joe (1944) – Notes”. Turner Classic Movies. http://www.tcm.com/tcmdb/title/191/A-Guy-Named-Joe/notes.html. Läst augusti 29, 2012. ”According to M-G-M studio records at the AMPAS Library, the film had a negative cost of $2,627,000 and took in $5,363,000 at the box office. When the picture was re-issued for the 1955-56 season, it took in an additional $150,000.” 
  152. ^ Bergreen, Laurence (Summer 1996). ”Irving Berlin: This Is the Army”. Prologue 28 (2): Part 3. http://www.archives.gov/publications/prologue/1996/summer/irving-berlin-1.html. Läst augusti 22, 2012. 
  153. ^ ”This Is the Army (1943) – Notes”. Turner Classic Movies. http://www.tcm.com/tcmdb/title/92968/This-Is-the-Army/notes.html. Läst juli 9, 2011. 
  154. ^ [a b c d e f g] Finler 2003, s. 356–363
  155. ^ Block & Wilson 2010, s. 420. "(Unadjusted $s) in Millions of $s – Production Cost: $1.0"
  156. ^ [a b] Block & Wilson 2010, s. 232.
    • Mrs. Miniver: "Domestic Rentals: $5,358,000; Foreign Rentals: $3,520,000 (Unadjusted $s)"
    • Meet Me in St. Louis: "Domestic Rentals: $5,016,000; Foreign Rentals: $1,623,630 (Unadjusted $s)"
    • Easter Parade: "Domestic Rentals: $4,144,000; Foreign Rentals: $1,774,134 (Unadjusted $s)"
  157. ^ Schaefer, Eric (1999). "Bold! Daring! Shocking! True!": A History of Exploitation Films, 1919-1959. Duke University Press. Sid. 197–199. ISBN 9780822323747. ”Leading the pack of postwar sex hygiene films was Mom and Dad (1944), which would become not only the most successful sex hygiene film in history but the biggest pre-1960 exploitation film of any kind. At the end of 1947, the Los Angeles Times reported that Mom and Dad had grossed $2 million. By 1949 Time had estimated that Mom and Dad had taken in $8 million from twenty million moviegoers. And publicity issuing from Mom and Dad's production company indicated that by the end of 1956 it had grossed over $80 million worldwide. Net rentals of around $22 million by 1956 would easily place it in the top ten films of the late 1940s and early 1950s had it appeared on conventional lists. Some estimates have placed its total gross over the years at up to $100 million, and it was still playing drive-in dates into 1975...The film was made for around $65,000 with a crew of Hollywood veterans including director William "One Shot" Beaudine, cinematographer Marcel LePicard, and a cast that sported old stalwarts Hardie Albright, Francis Ford, and John Hamilton.” 
  158. ^ Block & Wilson 2010
    • p. 296. "Production Cost: $1.6 (Unadjusted $s in Millions of $s)"
    • Wasson, Sam (2010), The Bells of St. Mary's, s. 297, ”This was that rare sequel that did even better at the box office than the original, bringing in a $3.7 million profit on $11.2 million in worldwide rentals.” 
  159. ^ ”Song of the South”. The Numbers. Nash Information Services. http://www.the-numbers.com/movies/1946/0SOTS.php. Läst juli 10, 2011. 
  160. ^ Gabler, Neal (2007). Walt Disney: the biography. Aurum Press. Sid. 438. ”Still, the film wound up grossing $3.3 million...” 
  161. ^ ”Song of the South (1946) – Notes”. Turner Classic Movies. http://www.tcm.com/tcmdb/title/90871/Song-of-the-South/notes.html. Läst juli 25, 2012. 
  162. ^ Hall & Neale 2010
    • p. 132."Best Years was considerably cheaper, costing only $2.1 million, and therefore vastly more profitable."
    • p. 286 (note 6.70). "Worldwide rentals for The Best Years of Our Lives amounted to $14,750,000."
  163. ^ Burns, Douglas (2010), The Best years of Our Lives, s. 301, ”The film made a $5 million profit on worldwide rentals of $14.8 million.”  In: Block & Wilson 2010.
  164. ^ [a b] Hall & Neale 2010, s. 285 (note 6.56). "The cost of Duel in the Sun has been reported as both $5,255,000 (Haver, David O'Selznick's Hollywood, 361) and $6,480,000 (Thomson, Showman: The Life of David O'Selznick, 472); the latter figure may include distribution expenses. Forever Amber cost $6,375,000 (Solomon, Twentieth Century-Fox: A Corporate and Financial History, 243)."
  165. ^ Chopra-Gant, Mike (2006). Hollywood Genres and Post-war America: Masculinity, Family and Nation in Popular Movies and Film Noir. I.B. Tauris. Sid. 18. ISBN 9781850438151. ”Forever Amber: $8 million; Unconquered: $7.5 million; Life with Father: $6.25 million” 
  166. ^ ”Unconquered (1947) – Notes”. Turner Classic Movies. http://www.tcm.com/tcmdb/title/4415/Unconquered/notes.html. Läst januari 10, 2012. 
  167. ^ Miller, Frank. ”Easter Parade (1948) – Articles”. Turner Classic Movies. http://www.tcm.com/tcmdb/title/2332/Easter-Parade/articles.html. Läst juli 19, 2012. 
  168. ^ Street, Sarah (2002). Transatlantic Crossings: British Feature Films in the United States. Continuum International Publishing Group. Sid. 110. ISBN 9780826413956. ”Although both films had higher than average budgets (The Red Shoes cost £505,581 and Hamlet cost £572,530, while the average cost of the other thirty films for which Rank supplied information was £233,000), they resulted in high takings at home and abroad.” 
  169. ^ Officer, Lawrence H. (2011). ”Dollar-Pound Exchange Rate From 1791”. MeasuringWorth. http://www.measuringworth.com/datasets/exchangepound/result.php?year_source=1791&year_result=2011. Läst 18 november 2012. ”1947–1948: $4.03 (per British pound)” 
  170. ^ ”The Snake Pit”. The Numbers. Nash Information Services. Arkiverad från originalet den 13 januari 2012. http://www.webcitation.org/64efEVLpS. 
  171. ^ [a b] Hall & Neale 2010, s. 136–139
    • Samson and Delilah: "...the film became the highest grosser in the studio's history to date, with domestic rentals of $7,976,730 by 1955 and a further $6,232,520 overseas...For all their spectacle, Samson and David were quite economically produced, costing $3,097,563 and $2,170,000 respectively."
    • Quo Vadis: "Production costs totaled a record $7,623,000...Worldwide rentals totaled $21,037,000, almost half of which came from the foreign market."
  172. ^ ”Cinderella”. Boxoffice. http://www.boxoffice.com/statistics/movies/cinderella-1950. Läst juni 22, 2013. 
  173. ^ Eisner, Michael D.; Schwartz, Tony (2009). Work in Progress. Pennsylvania State University. Sid. 178. ISBN 9780786885077. ”Cinderella revived its fortunes. Re-released in February 1950, it cost nearly $3 million to make but earned more than $20 million worldwide.” 
  174. ^ Barrier, Michael (2003). Hollywood Cartoons: American Animation in Its Golden Age. Oxford University Press. Sid. 401. ISBN 9780195167290. ”It cost around $2.2 million, little more than each of the two package features, Melody Time and The Adventures of Ichabod and Mr. Toad (as Tluo Fabulous Characters had ultimately been named), that just preceded it, but its gross rentals—an amount shared by Disney and RKO—were $7.8 million, almost twice as much as the two package features combined.” 
  175. ^ The E. J. Mannix ledger. Margaret Herrick Library, Academy of Motion Picture Arts and Sciences: Howard Strickling Collection. 1962. 
  176. ^ [a b] Lev, Peter (2006). Transforming the Screen, 1950-1959. "Volume 7 of History of the American Cinema". University of California Press. ISBN 9780520249660. 
    • Quo Vadis: p. 15. "MGM's most expensive film of the period, Quo Vadis (1951) also did extremely well. The cost was $7,623,000, earnings were an estimated $21.2 million (with foreign earnings almost 50 percent of this total), and profit was estimated at $5,562,000."
    • Rear Window: pp. 203204. "Rear Window (1954) was an excellent commercial success, with a cost of $1 million and North American rentals of $5.3 million."
  177. ^ [a b] Block & Wilson 2010, s. 335.
    • The Robe: "Domestic Rentals: $16.7; Foreign Rentals: $9.4; Production Cost: $4.1 (Unadjusted $s in Millions of $s)."
    • Quo Vadis: "Domestic Rentals: $11.1; Foreign Rentals: $15.6; Production Cost: $7.5 (Unadjusted $s in Millions of $s)."
  178. ^ Mulligan, Hugh A. (September 23, 1956). ”Cinerama Pushing Ahead As Biggest Money-Maker”. The Register-Guard (Eugene, Oregon). http://news.google.com/newspapers?id=GPRVAAAAIBAJ&sjid=YeIDAAAAIBAJ&pg=6899,3861317. Läst juli 7, 2012. 
  179. ^ Zone, Ray (2012). 3-D Revolution: The History of Modern Stereoscopic Cinema. University Press of Kentucky. Sid. 71. ISBN 9780813136110. ”Produced at a cost of $1 million, This is Cinerama ran 122 weeks, earning $4.7 million in its initial New York run alone and eventually grossed over $32 million. It was obvious to Hollywood that the public was ready for a new form of motion picture entertainment. The first five Cinerama feature-length travelogues, though they only played in twenty-two theaters, pulled in a combined gross of $82 million.” 
  180. ^ Burns, Douglas (2010), The Greatest Show on Earth, s. 354–355, ”By May 1953, Variety was reporting that the Best Picture winner had amassed $18.35 million in worldwide rentals.”  In: Block & Wilson 2010.
  181. ^ ”The Greatest Show on Earth (1952) – Notes”. Turner Classic Movies. http://www.tcm.com/tcmdb/title/4608/The-Greatest-Show-on-Earth/notes.html. Läst januari 8, 2012. 
  182. ^ ”Peter Pan (1953) – Notes”. Turner Classic Movies. http://www.tcm.com/tcmdb/title/86554/Peter-Pan/notes.html. Läst juli 24, 2011. 
  183. ^ Hall & Neale 2010, s. 147148. "To take full advantage of CinemaScope's panoramic possibilities, shooting was delayed for the sets to be redesigned and rebuilt, adding $500,000 to the eventual $4.1 million budget...It ultimately returned domestic rentals of $17.5 million and $25 million worldwide, placing it second only to Gone with the Wind in Variety's annually updated chart."
  184. ^ Block & Wilson 2010, s. 367. "It brought in $16.7 million in domestic rentals, $9.4 million in foreign rentals, and made a net profit of $8.1 million."
  185. ^ ”Rear Window”. Boxoffice. http://www.boxoffice.com/statistics/movies/rear-window-1954. Läst juni 22, 2013. 
  186. ^ ”White Christmas”. Boxoffice. http://www.boxoffice.com/statistics/movies/white-christmas-1954. Läst juni 23, 2013. 
  187. ^ Block & Wilson 2010, s. 420. "Domestic Box Office: $19.6 million; Production Cost: $3.8 million."
  188. ^ Hall & Neale 2010, s. 149. "VistaVision was first used for the musical White Christmas (1954), which Variety named the top grosser of its year with anticipated domestic rentals of $12 million."
  189. ^ ”20000 Leagues Under The Sea”. Boxoffice. http://www.boxoffice.com/statistics/movies/20000-leagues-under-the-sea-1954-1900. Läst juni 23, 2013. 
  190. ^ Miller, John M. ”20,000 Leagues Under the Sea (1954) – Articles”. Turner Classic Movies. http://www.tcm.com/tcmdb/title/20642/20-000-Leagues-Under-the-Sea/articles.html. Läst januari 9, 2012. 
  191. ^ Finler 2003, s. 320. "It was up and running in time to handle Disney's most elaborate expensive feature, 20,000 Leagues Under the Sea, based on the book by Jules Verne, starring James Mason and Kirk Douglas and directed by Richard Fleischer at a cost of $4.5 million."
  192. ^ ”Lady and the Tramp”. Boxoffice. http://www.boxoffice.com/statistics/movies/lady-and-the-tramp-1955. Läst juni 23, 2013. 
  193. ^ ”Lady and the Tramp (1955) – Notes”. Turner Classic Movies. http://www.tcm.com/tcmdb/title/80607/Lady-and-the-Tramp/notes.html. Läst juli 27, 2011. 
  194. ^ Minego, Pete (May 21, 1956). ”Pete's Pungent Patter”. Portsmouth Daily Times (Portsmouth, Ohio): s. 19. 
  195. ^ ”Cinerama Holiday (1955) – Notes”. Turner Classic Movies. http://www.tcm.com/tcmdb/title/493857/Cinerama-Holiday/notes.html. Läst juli 7, 2012. 
  196. ^ Block & Wilson 2010
    • p. 382. "Production Cost: $2.4 (Unadjusted $s in Millions of $s)"
    • Burns, Douglas (2010), Mister Roberts, s. 383, ”Mister Roberts sailed onto movie screens buoyed by enthusiastic reviews and receptive audiences. For pr, Fonda, Cagney, and lemmon reenacted several scenes on ed sullivan's popular Toast of the Town television variety show. It returned a net profit of $4.5 million on worldwide rentals of $9.9 million, putting it in the top 5 domestic films of 1955.” 
  197. ^ Block & Wilson 2010, s. 327. "Production cost: $13.3 million; Domestic Film Rental: $31.3; Foreign Film Rental: $23.9; Worldwide Box office (estimated): $122.7 (Initial Release – Unadjusted $s in Millions of $s)."
  198. ^ [a b] Hall & Neale 2010, s. 159–161
    • The Ten Commandments: "No film did more to entrench roadshow policy than The Ten Commandments. While the success of This Is Cinerama, The Robe, and even Eighty Days could be attributed, at least in part, to their respective photographic and projection formats, that of DeMille's film (which cost a record $13,266,491) could not...General release began at normal prices in 1959 and continued until the end of the following year, when the film was temporarily withdrawn (the first of several reissues came in 1966). The worldwide rental by this time was around $60 million. In the domestic market it dislodged Gone with the Wind from the number one position on Variety's list of All-Time Rentals Champs. GWTW had hitherto maintained its lead through several reissues (and was soon to regain it through another in 1961)."
    • The Bridge on the River Kwai: Columbia's Anglo-American war film The Bridge on the River Kwai (1957) opened on a roadshow basis in selected U.S. cities (including New York, Chicago, Boston, and Los Angeles) and in London. Costing only $2,840,000 to produce, it grossed $30.6 million worldwide on first release."
  199. ^ Hall & Neale 2010, s. 153. "South Pacific also became for a time the most successful film ever released in the United Kingdom, where it earned a box-office gross three times its negative cost of $5,610,000. Anticipated global rentals after three years were $30 million."
  200. ^ Ross, Steven J. (2011). Hollywood Left and Right: How Movie Stars Shaped American Politics. Oxford University Press. Sid. 278–279. ISBN 9780195181722. ”Costing $15 million to produce, the film earned $47 million by the end of 1961 and $90 million worldwide by January 1989.” 
  201. ^ Block & Wilson 2010, s. 324. "Worldwide box office: $146.9 million; Worldwide rentals: $66.1 million; Production cost: $15.9 million. (Initial Release – Unadjusted $s in Millions of $s)"
  202. ^ Reid, John Howard (2006). America's Best, Britain's Finest: A Survey of Mixed Movies. "Volume 14 of Hollywood classics". Lulu. Sid. 243–245. ISBN 9781411678774. ”Negative cost: around $4 million; Worldwide film rentals gross (including 1968 American reissue) to 1970: $30 million.” 
  203. ^ Webster, Patrick (2010). Love and Death in Kubrick: A Critical Study of the Films from Lolita Through Eyes Wide Shut. McFarland & Company. Sid. 298 (note 2.23). ISBN 9780786459162. ”Spartacus cost $12 million and grossed some $60 million at the box office, figures Kubrick rarely again matched.” 
  204. ^ [a b] Hall & Neale 2010, s. 179.
    • Spartacus: "In the case of Spartacus, overseas earnings to 1969 amounted to $12,462,044, while U.S. and Canadian rentals (even including a million-dollar TV sale) were only $10,643,181. But the film failed to show a profit on production costs of $10,284,014 because of the distribution charges and expenses amounting to an additional $15,308,083."
    • The Bible: "The Bible—In the Beginning... (1966) was financed by the Italian producer Dino De Laurentiis from private investors and Swiss banks. He then sold distribution rights outside Italy jointly to Fox and Seven Arts for $15 million (70 percent of which came from Fox), thereby recouping the bulk of his $18 million investment. Although The Bible returned a respectable world rental of $25.3 million, Fox was still left with a net loss of just over $1.5 million. It was the last biblical epic to be released by any major Hollywood studio for nearly twenty years."
  205. ^ Nixon, Rob. ”Psycho (1960) – Articles”. Turner Classic Movies. http://www.tcm.com/tcmdb/title/24944/Psycho/articles.html. Läst januari 9, 2012. 
  206. ^ ”101 Dalmatians (1961)”. Boxoffice. http://www.boxoffice.com/statistics/movies/101-dalmatians-1961. Läst juni 23, 2013. 
  207. ^ ”One Hundred and One Dalmatians”. Variety. 31 december 1960. http://www.variety.com/review/VE1117793715. Läst augusti 23, 2011. 
  208. ^ Block, Hayley Taylor (2010), West Side Story, s. 449, ”With its three rereleases, it took in over $105 million in worldwide box office ($720 million in 2005 dollars).”  In: Block & Wilson 2010.
  209. ^ [a b c d e f g] Block & Wilson 2010, s. 434.
    • The Sound of Music: "Domestic Rentals: $68.4; Foreign Rentals: $46.2; Production Cost: $8.0 (Initial Release – Unadjusted $s in Millions of $s)."
    • The Dirty Dozen: "Domestic Rentals: $20.1; Foreign Rentals: $11.2; Production Cost: $5.4 (Initial Release – Unadjusted $s in Millions of $s)."
    • 2001: A Space Odyssey: "Domestic Rentals: $16.4; Foreign Rentals: $5.5; Production Cost: $10.3 (Initial Release – Unadjusted $s in Millions of $s)."
    • Cleopatra: "Domestic Rentals: $22.1; Foreign Rentals: $18.2; Production Cost: $44.0 (Initial Release – Unadjusted $s in Millions of $s)."
    • West Side Story: "Domestic Rentals: $16.2; Foreign Rentals: $15.6; Production Cost: $7.0 (Initial Release – Unadjusted $s in Millions of $s)."
    • The Longest Day: "Domestic Rentals: $13.9; Foreign Rentals: $19.3; Production Cost: $8.6 (Initial Release – Unadjusted $s in Millions of $s)."
    • Butch Cassidy and the Sundance Kid: "Domestic Rentals: $29.2; Foreign Rentals: $7.9; Production Cost: $6.6 (Initial Release – Unadjusted $s in Millions of $s)."
  210. ^ Lawrence of Arabia
  211. ^ [a b c] Hall & Neale 2010, s. 165166
    • Lawrence of Arabia: Columbia released the $13.8 million Lawrence of Arabia (1962), filmed in Super Panavision 70, exclusively on a hard-ticket basis, but opened Barabbas (1962), The Cardinal (1963), and the $12 million Joseph Conrad adaptation Lord Jim (1965) as 70mm roadshows in selected territories only."
    • The Longest Day: "Darryl's most ambitious independent production was The Longest Day (1962), a three-hour reconstruction of D-Day filmed in black-and-white CinemaScope at a cost of $8 million. It grossed over $30 million worldwide as a roadshow followed by general release, thereby helping the studio regain stability during its period of reorganization."
    • Cleopatra: "With top tickets set at an all-time high of $5.50,Cleopatra had amassed as much as $20 million in such guarantees from exhibitors even before its premiere. Fox claimed the film had cost in total $44 million, of which $31,115,000 represented the direct negative cost and the rest distribution, print and advertising expenses. (These figures excluded the more than $5 million spent on the production's abortive British shoot in 1960–61, prior to its relocation to Italy.) By 1966 worldwide rentals had reached $38,042,000 including $23.5 million from the United States."
  212. ^ Hall & Neale 2010, s. 164. "West cost $14,483,000; although it earned $35 million worldwide in just under three years, with ultimate domestic rentals totaling $20,932,883, high distribution costs severely limited its profitability."
  213. ^ [a b c d] Block & Wilson 2010, s. 428–429
    • From Russia With Love: "Worldwide Box Office: 78.9; Production Cost: 2.0 (in millions of $s)"
    • Goldfinger: "Worldwide Box Office: 124.9; Production Cost: 3.0 (in millions of $s)"
    • Diamonds Are Forever: "Worldwide Box Office: 116; Production Cost: 7.2 (in millions of $s)"
    • Moonraker: "Worldwide Box Office: 210.3; Production Cost: 34.0 (in millions of $s)"
  214. ^ [a b] Chapman, James (2007). Licence to thrill: a cultural history of the James Bond films. I.B. Tauris. ISBN 978-1-84511-515-9. 
    • From Russia With Love: "The American release of From Russia With Love again followed on some six months after it had been shown in Britain. North American rentals of $9.9 million were an improvement on its predecessor, helped by a slightly wider release, though they were still only half the $19.5 million of foreign rentals... (Online copy at Google Books)"
    • Diamonds Are Forever: "Diamonds Are Forever marked a return to the box-office heights of the Bond films of the mid-1960s. Its worldwide rentals were $45.7 million... (Online copy at Google Books)"
    • Moonraker: "These figures were surpassed by Moonraker, which earned total worldwide rentals of $87.7 million, of which $33 million came from North America. (Online copy at Google Books)"
  215. ^ [a b] Balio, Tino (2009). United Artists, Volume 2, 1951-1978: the Company that Changed the Film Industry. University of Wisconsin Press. Sid. 261. ISBN 978-0-299-23014-2. 
    • From Russia With Love: "The picture grossed twice as much as Dr. No, both domestic and foreign—$12.5 million worldwide (Online copy at Google Books)"
    • Goldfinger: "Produced on a budget of around $3 million, Goldfinger grossed a phenomenal $46 million worldwide the first time around. (Online copy at Google Books)"
  216. ^ [a b] Hall & Neale 2010, s. 184
    • My Fair Lady: "My Fair Lady (1964) cost Warners $17 million to make, including a record $5.5 million just for the film rights to the Alan Jay Lerner and Frederick Loewe stage show and a million-dollar fee for star Audrey Hepburn. By 1967 it was reported to have grossed $55 million from roadshowing worldwide."
    • Mary Poppins: "Mary Poppins (1964), which cost $5.2 million, was neither a stage adaptation nor a roadshow. But by the end of its first release, it had grossed nearly $50 million worldwide."
  217. ^ Burns, Douglas (2010), Mary Poppins, s. 469, ”In its initial run, Poppins garnered an astounding $44 million in worldwide rentals and became the company's first Best Picture Oscar contender.”  In: Block & Wilson 2010.
  218. ^ ”The Sound of Music”. Boxoffice. http://www.boxoffice.com/statistics/movies/the-sound-of-music-1965. Läst juni 23, 2013. 
  219. ^ ”Hawaii”. The Numbers. Nash Information Services. http://www.the-numbers.com/movies/1966/0HWII.php. Läst augusti 18, 2011. 
  220. ^ ”Who's Afraid of Virginia Woolf?”. Boxoffice. http://www.boxoffice.com/statistics/movies/who-s-afraid-of-virginia-woolf-1966. Läst juni 23, 2013. 
  221. ^ Hall & Neale 2010, s. 188. "The negative cost of Warners' adaptation of Edward Albee's play Who's Afraid of Virgina Woolf? (1966)—filmed in widescreen and black-and-white, largely set in domestic interiors and with a cast of only four principal actors—amounted to $7,613,000, in part because stars Elizabeth Taylor and Richard Burton received up-front fees of $1 million and $750,000 respectively, against 10 percent of the gross apiece. (Their participation was presumably added to the budget)."
  222. ^ ”The Jungle Book (1967)”. Boxoffice. http://www.boxoffice.com/statistics/movies/the-jungle-book-1967. Läst juni 23, 2013. 
  223. ^ ”The Jungle Book”. Variety. 31 december 1966. http://www.variety.com/review/VE1117792229. Läst augusti 23, 2011. 
  224. ^ [a b] Denisoff, R. Serge; Romanowski, William D. (1991). Risky Business: Rock in Film. Transaction Publishers. ISBN 9780887388439. 
    • The Graduate: p. 167. "World net rental was estimated at more than $85 million by January 1971."
    • Grease: p. 236. "The film was produced for $6 million and Paramount reportedly spent another $3 million on promotion."
  225. ^ [a b] Hall & Neale 2010, s. 191–192
    • The Graduate: "The Graduate eventually earned U.S. rentals of $44,090,729 on a production cost of $3.1 million to become the most lucrative non-roadshow picture (and independent release) to date."
    • Butch Cassidy and the Sundance Kid: "None of these films was roadshown in the United States; most were set in contemporary America or had a contemporary "take" on the past (the casting of genuine teenagers to play Romeo and Juliet, the urbane sophistication of the dialogue in Butch Cassidy, the antiauthoritarianism of Bonnie and Clyde and MASH); most were produced on modest or medium-sized budgets (as low as $450,000 for Easy Rider and no higher than $6,825,000 for Butch Cassidy); and all grossed upward of $10 million domestically."
  226. ^ Palmer, R. Barton (2006). ”2001: The Critical Reception and the Generation Gap”. i Kolker, Robert Phillip. Stanley Kubrick's 2001: a Space Odyssey: New Essays. Oxford University Press. Sid. 16. ISBN 9780195174526. ”With its initial and subsequent releases, domestic and worldwide, Kubrick's arty, intellectual film earned nearly $138 million, which was, at that time, an astounding figure.” 
  227. ^ Miller, Frank. ”2001: A Space Odyssey (1968) – Articles”. Turner Classic Movies. http://www.tcm.com/tcmdb/title/628/2001-A-Space-Odyssey/articles.html. Läst augusti 24, 2011. 
  228. ^ Haber, Joyces (March 27, 1969). ”'Funny Girl' a Box Office Winner”. Los Angeles Times. Arkiverad från originalet den March 29, 2012. http://www.google.com/search?hl=en&tbs=ar%3A1&tbm=nws&q=%22funny+girl%22+%22%2480+to+%24100%22+million+worldwide. Läst mars 29, 2012. ”..."Funny Girl" will gross an estimated $80 to $100 million worldwide.” 
  229. ^ Welles, Chris (September 7, 1970). ”Behind the Silence at Columbia Pictures—No Moguls, No Minions, Just Profits”. New York (New York Media) "3" (36): ss. 42–47. ”While Columbia, battling Ray Stark over every dollar, did Funny Girl for around $8.8 million, a million or so over budget, Fox spent nearly $24 million on Hello, Dolly!, more than twice the initial budget, and the film will thus have to gross three times as much to break even.” 
  230. ^ Vanity Fair (577–578): sid. 388. 2008. ”Butch Cassidy went on to be a huge hit—by the spring of 1970 it had taken in $46 million in North America and grossed another $50 million abroad.”. 
  231. ^ ”'Love Story' II: Ryan Redux?”. New York (New York Media) "9": s. 389. 1976. ”Bring those handkerchiefs out of retirement. ... After all, the first movie made around $80 million worldwide.” 
  232. ^ Block, Hayley Taylor (2010), Love Story, s. 545, ”The final cost came in at $2,260,000.”  In: Block & Wilson 2010.
  233. ^ Scott, Vernon (June 30, 1979). ”"Airports" Flourish”. The Bryan Times. United Press International: s. 10. 
  234. ^ Block & Wilson 2010, s. 541. "Screenwriter and director George Seaton was given a then-whopping production budget of $10 million to make what would be his last big movie after a long career as an actor in radio, a screenwriter, and a director."
  235. ^ Block & Wilson 2010, s. 549. "Fiddler had the highest domestic box office of 1971 (it was second in worldwide box office after Diamonds Are Forever), with more than $100 million in unadjusted worldwide box office on its initial release. The soundtrack album was also a huge seller. The 1979 rerelease was not as successful, with the $3.8 million print and ad costs almost as high as the $4.3 million in worldwide rentals."
  236. ^ [a b c d e f] Block & Wilson 2010, s. 527.
    • Star Wars: Ep IV A New Hope: "Domestic Rentals: $127.0; Foreign Rentals: $141.5; Production Cost: $13.0 (Initial Release – Unadjusted $s in Millions of $s)."
    • The Godfather: "Domestic Rentals: $85.6; Foreign Rentals: $42.0; Production Cost: $7.2 (Initial Release – Unadjusted $s in Millions of $s)."
    • Fiddler on the Roof: "Domestic Rentals: $34.0; Foreign Rentals: $11.1; Production Cost: $9.0 (Initial Release – Unadjusted $s in Millions of $s)."
    • Rocky: "Domestic Rentals: $56.0; Foreign Rentals: $21.1; Production Cost: $1.6 (Initial Release – Unadjusted $s in Millions of $s)."
  237. ^ The Godfather
  238. ^ Jacobs, Diane (1980). Hollywood Renaissance. Dell Publishing. Sid. 115. ISBN 9780440533825. ”The Godfather catapulted Coppola to overnight celebrity, earning three Academy Awards and a then record-breaking $142 million in worldwide sales.” 
  239. ^ ”The Godfather (1972) – Notes”. Turner Classic Movies. http://www.tcm.com/tcmdb/title/443184/The-Godfather/notes.html. Läst januari 9, 2012. 
  240. ^ ”The Exorcist”. Boxoffice. http://www.boxoffice.com/statistics/movies/the-exorcist-1973. Läst juni 23, 2013. 
  241. ^ Stanley, Robert Henry; Steinberg, Charles Side (1976). The media environment: mass communications in American society. Hastings House. Sid. 76. ISBN 9780803846814. ”...further reflected by the phenomenal successes of The Sting, Chinatown and The Exorcist. The latter film, which cost about $10 million to produce, has grossed over $110 million worldwide.” 
  242. ^ New York (New York Media) 8, 1975, ”...Jaws should outstrip another MCA hit, The Sting, which had world-wide revenues of $115 million. (Online copy at Google Books)” 
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    • Prince, Stephen (2002). A New Pot of Gold: Hollywood Under the Electronic Rainbow, 1980-1989. University of California Press. Sid. 7. ISBN 978-0-520-23266-2. ”Much of this was attributable to the performance of its hit film, Kramer vs. Kramer ($94 million worldwide and the number two film in the domestic market).” 
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    • The Empire Strikes Back: "Production Cost: $32.0 (Unadjusted $s in Millions of $s)."
    • Return of the Jedi: "Production Cost: $42.7 (Unadjusted $s in Millions of $s)."
    • The Phantom Menace: "Production Cost: $127.5 (Unadjusted $s in Millions of $s)."
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  295. ^ New Times 2. 1974. ”Coppola is King Midas, the most individually powerful U.S. filmmaker ." His credits include directing the first Godfather (worldwide earnings: $142 million, ahead of Gone with the Wind, The Sound of Music and The Exorcist)...(Online copy at Google Books)”. 
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